This is... yes. Good. This is excellent.

I love your fics, they're always so intelligent and reading them always make me feel something like great admiration towards you. As a BIG Fan of classical music and A BIG FAN of CODE GEASS, this fic is surely one of the greatest CG-fics. The greatest is another fic written by you xD. *ah crappy english sorry*

This fic was intriguing and very well-written (as is every single thing you've written I'm coming to realize). The stream-of-consciousness-esque, one-sided conversation style sort of gives off the feeling that C.C. is speaking more talkatively and candidly than her actual character might, but I love the affect regardless. C.C's comments about not knowing Lelouch's ear because he was only aware of his eye and such were very amusing in a sad sort of way. The line "Why aren't you laughing? That was funny." certainly made me laugh though. I loved that you referenced Sadoko's immortality through her cranes and I found it very fitting to her character that C.C. found her story overly-sentimental. And then there were classical music references!~ Yay those made my day.

Great work!

So I'm kind of on a binge with reading your Code Geass fics. I've only read and reviewed one other one which I absolutely loved. So I decided, why not read more of her stuff?!

I love, love, love this. I can actually hear C.C.'s voice in my head, see all her expressions, match the tone...it's perfect. And the one-sided conversation made it all the better. It was casual in a way, especially when she threw out questions; it was very poetic too. They both sort of blended together I guess. And of course, I loved the way you had C.C. describe singing as showing honesty.

Argh, I'm rambling! Honestly, I could go on forever and forever about why I love this, but I'll stop!

Great job with this! Simply beautiful work.

I liked it.

I'm not an expert in musical instruments but I really like how this story is written :D

You see, I'm intrigued with the title.
And the one-sided conversation just intrigues me a bit too much for my liking. But it's okay, since, well, I just found a brilliant story!
The story is a bit confusing (because I don't really know all the musical references you use in the story), but overall, it's excellent.
10/10.

-Perdendosi

Nice. I like the generally surreal mood. That, and one-sided conversations intrigue me.

About here, you lose me:

"You try for a Confutatis, perhaps, or a Lacrimosa, but he never wrote Lacrimosa. A student did. Your attempts to find genius in that one are laughable.

Oh, really now, you're cleverer than you act. You're not even so ignorant as you act. You know the Lacrimosa. It's your song. He, though, he was Verdi. He was Libera Me, the first movement and the last, the cry for freedom hidden in a dying call, the force of the choir lifted in one last enormous noise and clash - but somehow it was bitten off some time before that last soft chord, that grace, that resolution, ten bars from the end. All that was left was the demand without the peace of an answer."

But I eventually get back on track. A few of music references are a little obscure... or perhaps I'm a little uncivilized, whichever.

Still, the word building here... I'm in love with it. C.C.'s a little too passionate to Suzaku (for her character anyway), I think (I believe that's who she's talking to), but it's understandable.

My favorite line: "He wrote no music. Why didn't you think of that? He didn't write anything. He never wrote anything. He only played, and he played for others." Very powerful.

5/5

Good! Sorry, I can't think of anything else to say LOL.