kochan1Topic: Hiryuu no Futofude; Kouryuu no Hosofude #1-Seeing my Point of View: Main Char POV The question of what Point of View to use for a story is often a simple one for people here at FFN. Most people, whether new writers or seasoned veterans, choose the same: Third Person.Likewise, more than Ninety percent of published fiction these days is written in the same: Limited Third Person. "Ryu did this, Ryu did that." However, it's very easy for a writer (especially a new writer) to slip into the 'Omniscient Third Person', where an unseen narrator knows what everyone is thinking. "The village is heavily guarded. It's too dangerous." Ryu knew the truth wouldn't go down well. Hayate felt the anger flare within. We start off in Ryu's mind: "Ryu knew the truth..." But with the last sentence, "Hayate felt the anger..." we're suddenly in Hayate's mind. Staying with Third Person Limited would give us: "The village is heavily guarded. It's too dangerous." Ryu guessed that the truth wouldn't go down well. The frown and narrowed eyes on Hayate's face warned him of the angered outburst that was to follow. Big difference. Ryu only knows what Hayate is thinking because he notes his friend's reaction and interprets it. The reader is someone that travels within a character's mind. They see, hear, smell, touch and taste everything that character does, and also read the thoughts of that character. As mentioned, it doesn't take much effort for the reader to shift from one char to another. Kasumi watched Lei Fang. She loved those pigtails; the way they flowed about the Chinese girl as she practiced her Tai Chi was so alluring. POV in Kasumi. But if the next paragraph goes on to say: Lei Fang smiled back at Kasumi. She thought about that gentle stride she always walked with: Graceful and shy. What's happened here? We've suddenly leaped from Kasumi's mind into Lei Fang's! Different feelings, different emotions. We've lost track of where we are and more importantly which character to identify with (Who we are). Omniscient Third Person seems like a good way to clue the reader in on all aspects of the story, but actually makes the reader less connected to all of the characters. Very simple rule here - Pick one character and follow the entire scene through his or her eyes alone. Feel free to switch viewpoint characters between scenes of course (using a scenebreak). So what happens when you want to throw in some idea of what other characters in the scene might be thinking/feeling? Almost all emotions have outward signs to them. Scratching one's chin? Raising an Eyebrow? Biting one's lip? A sigh, a snigger, a smirk...all of these convey emotions of some sort depending on the context in which they're used. On a small side point, it's always better to try and 'show' the reader what is happening rather than 'tell' them. "Ryu was confused." or "Ryu scratched his chin, eyebrows knotting in a frown." The latter creates mental pictures for the reader and also involves the reader in the story rather than just spoon-feeding them information. Of course, we don't do this for every little thing in the story. Otherwise it becomes padded with detail and ceases to do what we want it to do (Tell the story). So to summarise the couple of tips above. - Show, don't tell. - Choose your POV char with care and stick with them through the whole scene: You'll find the audience sticking with your story through to the very end :) | #1 Dec 29th 2005, 5:53am . Edited Jan 24th 2006, 6:47pm | |
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