Hi, I'm Anna Selene (meaning: Anna=Gracious; Selene=Moon); (of course, that is not my real name)
My age is between 17-21 (sorry, I also don't like giving out my real age)
I like CSI, Grey's Anatomy, Desperate housewives a whole lot more in TV.
I also like X-Men, Underworld, Van Helsing, Dracula and a whole lot more in Movies.
I'm still a student by the way but again, I'm not telling what level I'm in.
I don't maintain blogs or even friendster. Why? I think that there are totally overrated. SERIOUSLY OVERRATED! >=(
The only reason that i have a multiply account, is because I need it for the notes that my classmates post on the said site. If it's not needed then most likely, I wouldn't have one 'cause like I said, I think it's SERIOUSLY OVERRATED! >=(
I search for cool new wallpapers for my computer and cellular phone in Deviant Art and sometimes even in other sites that are "unknown". :-P
I'm more a yuri/femmeslash than a yaoi/slash person. (You will probably notice that from my fics and if you do see a slash story, one of my friends probably requested me to write it. Hehehe.)
Another thing about me, I love songs. So expect for more song fics than regular fics. (Again, you will probably notice that from my fics.). . . . . . But don't worry, I still write regular fics. . . it's just . . .rarely. . . :-P
Oh and one more thing, I love quotes. :-P
QUOTES:
"Suicide is a NATURAL cause of DEATH." - Death Note (How to Use #10)
"Remember when you were a kid and your biggest worry was, like if you'd get a bike for your birthday or if you'd get cookies for breakfast? Being an adult? Totally overrated. I mean seriously, don't be fooled by all the hot sex and the no parents anywhere telling you what to do. Adulthood is responsibility. Responsibility, it really does suck. Really, really sucks. Adults have to be in places and do things and earn a living and pay the rent. And if you're training to be a surgeon, holding a human heart in your hand, hello!? Talk about responsibility. Kind of makes bikes and cookies look really, really good, doesn't it? The scariest part of responsibility? When you let it slip right through your fingers." - Meredith Grey (Grey's Anatomy, 1.5)
"S and M is a rich man's sport. Kinda like hockey, a lot of equipment." - Catherine Willows (CSI: Crime Scene Investigation, 7.23)
"It's like what my grandmother always said. An erect penis doesn't have a conscious." - Gabrielle Solis (Desperate Housewives, 1.1)
"Sexuality is fluid, whether your gay or not, you're straight or you're bisexual, you just go with the flow." - Shane McCutcheon (The L Word, 1.2)
"You can't change the past, and you can't let it stop you from going forward." - Josef Kostan (Moonlight, 1.3)
"Some people want to be heroes, and others have to be asked." - Sara Walker (Chuck, 1.2)
"You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me anymore. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine." - Yvaine (Stardust Movie)
"I think if you're going to kill somebody, kill them! Don't stand around talking about it!" - Anna Valerious (Van Helsing Movie)
"The war had all but ground to a halt in the blink of an eye. Lucian, the most feared and ruthless leader ever to rule the Lycan clan, had finally been killed. The Lycan horde scattered to the wind in a single evening of flame and retribution. Victory, it seemed, was in our grasp, the very birthright of the vampires. Nearly six centuries had passed since that night, yet the ancient feud proved unwilling to follow Lucian to the grave. Though Lycans were fewer in number, the war itself had become more perilous, for the moon no longer held her sway. Older, more powerful Lycans, were now able to change at will. The weapons had evolved, but our orders remained the same: Hunt them down and kill them off, one by one. A most successful campaign. Perhaps too successful. For those like me, a Death Dealer, this signaled the end of an era. Like the weapons of the previous century, we, too, would become obsolete. Pity, because I lived for it" - Selene (Underworld Movie)
Greatest Conversation/s: (...and my personal favorite/s...)
(CSI Season 2 Episode 8 - Slaves of Las Vegas . . . Scene #17)
http://www.twiztv.com/scripts/csi/season2/csi-208.txt
NICK: None of this weirds me out anymore.
CATHERINE: People are just as twisted in their own living rooms. The props are different here. That's all.
NICK:Well, not everybody's twisted.
CATHERINE: Everybody Nick. Wake up and smell the species.
NICK: Catherine, do you really think that those freaks out there, running around with their little dog collars on getting spanked are the same as you and me?
CATHERINE: Just because you never did it doesn't mean you never could.
NICK: No way, never gonna happen.
(Catherine turns the camera on Nick. She looks at him for a moment through the lens, then puts the camera down.)
CATHERINE: Hey, relax, Nick. All I'm saying is you're human.
NICK: Hey, man, my mom and dad are human, and . . .
CATHERINE: There's one thing you learn on this job is that human beings are capable of anything.
(CSI Season 2 Episode 8 - Slaves of Las Vegas . . . Scene #21)
http://www.twiztv.com/scripts/csi/season2/csi-208.txt
INT. LADY HEATHER'S DOMINION - BACK ROOM
(Lady Heather leads Catherine to the sink with apparatus in them.)
LADY HEATHER:Anything from last night would be in here. Masks, the usual accouterment.
CATHERINE: We don't technically have a warrant.
LADY HEATHER: Not necessary. I want to help.
(Lady Heather moves to the back. Catherine puts her things down by the sink. Catherine glances back at Lady Heather who happens to look up and see Catherine's glance. Catherine turns back around and opens her kit. She pulls out a pair of latex gloves.)
LADY HEATHER: Go ahead, ask. "How can I do this for a living?"
CATHERINE: Oh, that's not what I was thinking. How much does this place clear a week?
LADY HEATHER: Ten grand.
(Catherine turns around and looks at Lady Heather. She hardly believes that one.)
CATHERINE: I'm not with the IRS.
(Lady Heather smiles.)
LADY HEATHER: Okay, twenty.
CATHERINE: I don't make that in three months.
LADY HEATHER: Sex pays a lot better than death.
CATHERINE: Plus, the outfits are cooler.
LADY HEATHER: Well, I have this genius tailor. Worked at the Desert Inn back in the day. I let him come in weekends and play human ashtray. He designs for me and my girls. It's a fair trade.
CATHERINE: You got a good thing going here. And the best part is that these guys think getting slapped around and getting humiliated is their fantasy.
LADY HEATHER: It's like I always tell my daughter ...
CATHERINE: You got a daughter?
LADY HEATHER: (smiles proudly) Eighteen this month; freshman at Harvard.
CATHERINE:Really? Mine's seven.
LADY HEATHER: Oh, that's a great age.
CATHERINE: Yeah.
LADY HEATHER: When I thought Zoe was ready to hear it, I told her, "Honey, there are a lot of things you can give a man -- your body, your time, even your heart. But the one thing you can never, ever, ever let go of is your power."
CATHERINE: All my mother ever said to me was "Cash up front."
LADY HEATHER: Don't take this the wrong way, but I think you've got everything it takes to make a great Dominatrix.
CATHERINE: I take that as a compliment.
LADY HEATHER: Well, you should. It's just about knowing yourself, being strong and not taking any crap from powerful jerks who are used to giving it all day long.
CATHERINE: Well, death is still a man's business and I don't have to tell you about police work.
LADY HEATHER: So, how do you survive?
CATHERINE: By knowing myself and working hard ... and by not taking any crap from powerful jerks who are used to giving it all day long.
(Lady Heather smiles and nods her head.)
(CSI Season 2 Episode 8 - Slaves of Las Vegas . . . Scene #30)
http://www.twiztv.com/scripts/csi/season2/csi-208.txt
INT. LADY HEATHER'S DOMINION -- DAY
(Lady Heather enters her room carrying a tea pot. She walks over to the table set for tea. She pours the tea and puts the tea pot on the table. Grissom is standing off to the side. He turns around when she walks in.)
GRISSOM: Afternoon tea. How nice.
LADY HEATHER: I like a bit of civility before dark ... when all the needy little boys show up.
GRISSOM: Well, I'm a little needy myself today. My lab pulled skin cells from Mona Taylor's straws.
LADY HEATHER: A DNA sample? I have several clients in law enforcement. X-X or X-Y?
GRISSOM: They're male.
(Grissom shows Lady Heather a photograph he brought with him. It's of Cameron and Eilene Nelson at a formal function. Both are speaking with a man.)
GRISSOM: Have you ever seen either of these two people?
LADY HEATHER: Not the wife, but I have seen the husband.
GRISSOM: I didn't say they were married.
LADY HEATHER: It's obvious. Look at the way he's clenching her hand with both of his and leaning toward her. And see how she's twisting away presenting herself to the wealthy alpha male? She's insensitive; he insecure. That's a setup for matrimony, not passion. She wants the dominant male to choose her so she can stop being dominant.
GRISSOM: You're very good. You could work for me.
LADY HEATHER: You want to be my boss?
GRISSOM: You never know. We both might learn something.
LADY HEATHER: Oh, I'm sure of that.
(They both sit down at the table.)
LADY HEATHER: I can read anyone who walks through this door and know their desires. Sometimes even before they do. Why do you think I selected china and table linens?
GRISSOM: You like fine things.
LADY HEATHER: Or maybe I knew you'd like them. Same way I know you enjoy most of the superficial trappings of civilization.
GRISSOM: I'm that obvious, huh?
LADY HEATHER: Only because you try not to be. You spend your life uncovering what goes beneath the surface of civility and acceptable behavior. So it's a release for you to indulge in something like high tea when it seems, if only for a moment, the world really is civilized.
(Grissom doesn't respond.)
LADY HEATHER: The most telling thing about anyone is what scares them. And I know what you fear more than anything, Mr. Grissom.
GRISSOM: Which is?
LADY HEATHER: Being known. You can't accept that I might know what you really desire, because that would mean that I know you. Something, for whatever reason, you spend your entire life making sure no one else does.
GRISSOM: Lady Heather, you're an anthropologist.
LADY HEATHER: More tea?
(Lady Heather picks up the tea pot and refreshes Grissom's cup of tea.)
(CSI Season 7 Episode 24 - Living Doll . . . Last Scene)
http://www.twiztv.com/scripts/csi/season7/csi-724.txt
NATALIE DAVIS: This is about her. Her, her, her! It's always about her!
GRISSOM: No, it isn't, Natalie. It's about you.
NATALIE DAVIS: It's always about her.
(She has something in her mouth and takes out a RAZOR BLADE. She holds it up and shows it to Grissom.)
(Grissom’s eyes widen. TOO LATE! She reaches out and swings the razor in an arc, slashing Grissom’s neck. He gasps and grabs his neck, blood pouring out between his fingers.)
(Natalie watches the blood on his hands with fascination.)
NATALIE DAVIS: (sing-song)
"Oh, sad was the day for the little bisque doll,
for they cut all her stitches away,
(Grissom gasps as he bleeds.)
NATALIE DAVIS: (sing-song)
and found the seat of the terrible ache;
T'was a delicate task..."
ABRUPT CUT TO:
(It’s only a DELUSION. Grissom’s unhurt in front of her, his voice rising insistently at her. The song Natalie started continues.)
GRISSOM: (insistent) Natalie, listen to me -- tell me where she is.
(Natalie stares off in front of her – lost in whatever world her mind created for her, reciting the eerie lines to the song in the same child-like, distant voice.)
NATALIE DAVIS: (sing-song)
"For none of the doctors had ever before
performed on a dolly's inside."
GRISSOM: Natalie. Please tell me where Sara is.
NATALIE DAVIS: (sing-song)
"They tried to re-stuff her but didn't know how,
and this was her wail as she died..."
(Grissom grabs Natalie’s shoulders and shakes her.)
GRISSOM: (shouts)STOP IT! Just stop this! Tell me where Sara is!
NATALIE DAVIS: (sing-song)
"I've got a pain in my sawdust.”
(Grissom lets her go and rubs his mouth with his hand. There’s no way he’s going to get any rational information out of her. Natalie’s withdrawn into her own fantasy.)
NATALIE DAVIS: (sing-song)
“That's what's the matter with me.”
CUT TO:
EXT. SOMEWHERE OUT IN THE DESERT – NIGHT
TOP VIEW DOWN: It’s dark and raining. The overturned red Mustang is smashed
and damaged. We move down closer to the car.
NATALIE DAVIS: (v.o.)
“Something is wrong with my little inside.
I'm just as sick as can be.”
(Just like her miniature, SARA’S arm is sticking out from under the car she’s pinned under.)
(Her hand moves.)
NATALIE DAVIS: (v.o.)
“Don't let me faint. Someone get me a fan.
Someone please run for the medicine man.”
(Just like the miniature, SARA’S fingers reach out slowly and sink into the wet mud.)
NATALIE DAVIS: (v.o.)
“Everyone hurry as fast as you can,
(Just like the miniature, the movement is repeated over and over again. Sara’s head can be seen under the overturned car.)
NATALIE DAVIS: (v.o.)
'cause I've got a pain in my sawdust."
TOP VIEW DOWN: We pull back on the overturned car, the rain merciless as it
pelts down on the scene below.
FADE TO BLACK.
(CSI Season 8 Episode 7 - Goodbye and Goodluck . . . Last Scene)
http://www.twiztv.com/scripts/csi/season8/csi-807.txt
INT. CSI – HALLWAY
(Sara returns to CSI. )
HODGES: (o.s.)Look at this. I didn’t think my results were inconclusive and that I’ll just have to wait till I get the tox results back from Henry.
(She turns the corner and walks up to Grissom, who is getting a report back from Hodges.)
(She walks up to Grissom and kisses him.)
(She nods, turns and leaves. SARA has reached her limit.)
INT. CSI – LOCKER ROOM
(Sara enters the locker room. She opens her locker and takes her CSI vest out with the roll of masking tape. She sits down on the bench and takes a pocketknife out of her pocket. She removes the stitching off her name patch.)
(The lights around her fade, leaving Sara sitting alone in darkness.)
(She rips her patch off and replaces it with the masking tape. On it she writes: GOOD LUCK.)
(Sara puts the vest in Ronnie’s locker.)
(She closes the locker, puts the tape back in her own locker, pausing for a moment to look at a photo of GRISSOM and herself.)
(She closes the locker and picks up her pocketknife and name patch. She looks at her name patch, then up at the empty locker room. She tosses the name patch in the trash.)
(Sara leaves.)
CUT TO:
INT. CSI – RECEPTION
(Grissom walks through the hallway as he looks for Sara. He stops in front of reception.)
GRISSOM: Judy, have you seen Sara?
JUDY TREMONT: She left a few minutes ago, sir, but she did leave something for you.
(Judy gives him an envelope.)
GRISSOM: Thank you.
(He takes the envelope and heads back to his office.)
INT. CSI – GRISSOM’S OFFICE
(Grissom opens the note.)
SARA: (v.o.) Gil ... You know I love you. I feel I've loved you forever. Lately ...
INTERCUT WITH:
EXT. LAS VEGAS STRIP – NIGHT
(A taxi moves down the strip.)
SARA: (v.o.) I haven't been feeling very well. Truth be told, I'm tired.
(SARA is in the cab.)
SARA: (v.o.) Out in the desert, under that car that night, I realized something, and I haven't been able to shake it. Since my father died, I've spent almost my entire life with ghosts. We'd been like close friends, and out there in the desert, it occurred to me that it was time for me to bury them. I can't do that here. I'm so sorry. No matter how hard I try to fight it off, I'm left with the feeling that ... I have to go. I have no idea where I'm going, but I know I have to do this. If I don't, I'm afraid I'll self-destruct, and worse, you'll be there to see it happen. Be safe. Know that I tried very hard to stay. Know that you are my one and only. I will miss you with every beat of my heart. Our life together was the only home I've ever really had. I wouldn't trade it for anything.
SARA: (v.o.) I love you.
(Grissom takes his glasses off.)
SARA: (v.o.) I always will.
ON: SARA
SARA: (v.o.) Good-bye.
ON:GRISSOM
FADE TO BLACK.
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