Update (4/11/07)
Yeouch, I
guess it's about time for one of these, huh? Well, there's a
bunch of extremely personal stuff that I won't go into here (come on,
it's not like I'm writing under my real name), which may or may not
include being abducted by space-faring penguins, but the long story
short is that taking a gigantic break wasn't entirely my idea.
There was a lot of crud to deal with. Put it this way: as anyone
who's read my rambling comments or my silly little fics can attest, my
vocabulary has a distinct tendency to range into the hinterlands.
It went there. It came back. And still, the most appropriate word I
could come up with was "crud". Anyway. :)
If
it matters to ya, I'm back now. As those of you who kept bugging
me for updates (feeding my ego—thanks!) may have surmised with the
update of "100 Ways", I'm resuming work on the projects that had
previously dropped off the face of the planet. I hope this comes
as welcome news to the ravenous horde of literally twos and threes of
people who perpetrated said ego-feeding.
Currently,
I'm about halfway done with the next batch of one-liners for "100
Ways", and a multiple-chapter update is in the works for
"Mélodie". "His" is a little trickier, because I'm going to have
to re-read the manga. As a result of lending them to my
sister-in-law, who lives...uh, about a thousand miles away, the
timeframe for that is a little loose at the moment.
In
the meantime, if you'd be at all interested in reading some truly
amazing Gravi-fic from a writer who actually, y'know, finishes her
stories, I really suggest stopping by Vindalootoo's page. It's
frighteningly good!
Q&A
Who are you?
Just another fanfic author and occasional fanart doodler,
really. I'm 21, female, and am going to college in the
Midwest. I have too many hobbies, major insomnia, and a psychotic little black dog
named Pixel.
Why are you interviewing yourself?
Er...seemed like a good idea at the time? Besides, like many
writers, I'm about a hair away from MPD. My characters definitely
have their own ideas about what's going to be done and said. They
don't always agree with my plans. Yep, this applies to
fanfiction, too—I have versions of every character I write living in my
head. (Some are more vocal than others. Yuki Eiri, from
Gravitation, never shuts up. His brand of snark is darned close
to mine.) So it didn't seem like too much of a stretch to fill
out my profile this way. :D
Do you write anything besides fanfiction?
Indeed I do. I've been doing freelance writing for about 8
years, which has been...weird. My first job involved turning 1000
pieces of trivia into multiple-choice questions for a board game.
More recently, I've written menu descriptions for a restaurant.
In between, there's been a lot of random copy and articles, including
such gems of topics as "10 things to check when choosing a stepladder"
and "history of the Andalusian" (horse breed). Trés glamorous, I know. ;) Hey, it's money.
I've also been published academically, worked as an ACP
journalist, and written columns for a few different websites of varying
size. In the general writing vein, I've student-taught English
composition and done some work as a copy editor and proofreader.
Earlier this year, I finished a cookbook that'll be sold locally.
I've currently got a few other projects going, both non-fiction and
original fiction.
When are you gonna update (insert name of fic here)?
I never know the answer to that question myself. It depends
upon what else is going on in my life (again, many hobbies, and also
many jobs), as well as whether or not a character feels chatty.
Lately, I've been writing a lot of Gravitation, and the crew tends to
jockey for position. What story I work on is almost entirely
dependent upon who wins that squabble. For more specific progress
reports on what's going on in my brain, you can consult my fanfiction
LiveJournal: http://ff-castalia.livejournal.com.
Do you beta read?
Short answer: yes. Long answer: yes, but it depends. I
love reading stories and talking to people about writing, but the
biggest thrill comes from discussing things like character development,
pacing, viewpoint, plot, and so forth. Basic proofreading and
grammar checks aren't really all that much fun for me. I'm also
not comfortable beta reading smutfics. Adult situations that are
part of a fic are absolutely fine, but fics that are pure smut (hmm,
oxymoron) or erotica aren't so much my thing.
The other
issue, of course, is that there should ideally be some kind of
chemistry between a writer and his or her beta reader. If you
think we might be mutually suited, please do drop me a line!
What's the "BlurbiVerse"?
I write some fiction every day, so I keep some ongoing "blurb"
files—bits of stories, bits of dialogue, writing exercises, deleted
scenes, and random jaunts into chaos. The BlurbiVerse is where my
sad excuses for poetry go. So far, a couple of them have wormed
their way onto FF.net proper.
The BlurbiVerse has neighbors. They are:
BlurbCity (the original), where I keep things I might actually use (all
fics live here until I'm committed, and they're at least a couple pages
long or are done); BlurbDump, where all the deleted scenes live; and
the shady SubBlurbs, which is filled with all the things you ain't
never gonna see me post...really bad writing and/or guilty pleasures
and/or writing as therapy. A lot of it is supremely silly (there
are a lot of pun-filled dialogue bits, terrible jokes, and soupy/sappy
lines), but characters have also been known to die there, in seas of
angst, when I'm irritated at life.
Hey, you mentioned fanart...
Quite right. I've done some Gravitation fanart, which can be found at http://pics.livejournal.com/ff_castalia/.
Do you ever stop talking?
Not really. :D
Mélodie
I've
decided to give this its own section, because it's my current big
fan-fiction project. When I watched the anime for the second time
through, I wasn't focused on the Yuki-Shuichi pairing quite as much
anymore, because I knew what was going to happen. I became fascinated,
instead, by the dynamic between Mika, Tohma, and Eiri. I started
wondering about it, and especially more about who Mika and Tohma really
are as people. They've obviously got a lot of history with each other
and with Eiri. What is it?
"Mélodie"
is one of the answers I
came up with. When you read it, please keep in mind that this is
basically a daydream that wouldn't leave me alone until I wrote it
down. It is also extremely speculative—mostly the product of my own
imagination, although I'm trying to stay as true as possible to the
little snippets provided in the manga/anime. And it's written
narratively, Mika and Tohma taking over alternate chapters.
Don't worry, I've indicated which person is speaking at the top of each
chapter.
Finally, a mélodie, in the most specific sense of
the term, is a vocal song with piano accompaniment. If you're inclined
to listen to music while you read, I therefore suggest something
piano-centric. I specifically recommend the albums Water Circles by Mia Jang, and Beloved
by David Lanz. For Tohma's POV, Bach's Goldberg Variations also
work well, provided they are the piano and not the
clavichord/harpsichord arrangements.
Hope
you enjoy the story. (Oh, and sorry the alert mailings from FF.net look
all wonky. It drives me nuts, but I can't do much about it.) You can find chapter notes
right here.
Chapter Notes
1. Prelude
(Mika) - Once I thought about it, I had to start here to set things up
properly. As a result, the first chapter is a little slow. But now we
know why Mika's so willing to get deeply into Eiri's business
throughout the series, and that's something.
2. Pensieroso (Tohma) - Tohma kind of surprised me this chapter.
(...what, you don't hear the character speaking in your head when
you're writing narratively?) I expected him to be calm, but he's quite
cynical and choppy, and kind of scary. He pretends otherwise, but
he's pretty bitter about the childhood I gave him. Tough shakes, Mr.
Seguchi.
3. Dolcissimo (Mika) - Dear God, I wrote dialogue! That's a
first in this story. ;) Turned out longer than I thought. Wow, that
Mika can talk and talk and talk... Just like a
woman. This chapter is a rather abrupt departure from the previous
style, but I'm treating "Prelude" and "Pensieroso" as prologues.
4. Subito (Tohma) - It took me a few days to talk some sense
into the Tohma voice and prevent him from rambling endlessly about
Bach, but eventually we got there. I play the piano, and all the
years of training are both a blessing and an absolute curse when I try
to write Tohma. Example? At one point I discovered I'd let
him go on about the dratted Brandenburg Concerto No. 5 for about five
hundred words. In the first draft, he also wandered off
philosophizing about musical theory for another several hundred
words. Aren't you glad I cut that stuff out? Oh, and yes, I
do realize I'm switching between styles for Mika and Tohma now, but
that's just their personalities...as I imagine them, anyway.
Special
thanks to Kyoko the Frighteningly Wonderful, and her equally wonderful
mother, for their invaluable assistance with Japanese words and
culture. Gigantic thank-yous also go out to the three faithful
readers of this story!