Hi, this might be the most extraordinary story I've found yet. What an idea; and you pulled it off so well, too! It's just amazing.

I love how everyone is so well in character. You spiced it up with a few details that weren't strictly driving the plot, but they rounded it up a lot and made me feel comfortable when the actual plot twist had almost lost me.

Thank you so, so much for sharing this with us!

This was sweet

Brilliant. Thank you for this. I was definitely crying by the end

Loved your series. I'm upset we never got to see Gins letter

a series i always come back to and always has my heart, i love this

Just thought I'd point out that Snape was born in 1960, not 1959!

I love this series. Thank you.

Love this story.

i love this

Terrible grammar. The idea seems interesting but this is impossible to read. No effort put into spelling correctly

Some people with all these negative comments need to go shove off. Don’t let them get too you too much! The entire point of this website is to experiment and learn and get better. I love the ideas behind this story, and the characters are amazingly well thought out. I’m enjoying the series so far, and I hope you continue writing. You certainly have a talent for it!

I just reread the whole series, it's very lovely!

Thank you. This is one of the most heartwarming storylines I have ever read on fanfiction.

What the hell happened to F Longbottoms storyline and what about James’ and his apparent reincarnation or at least the allusion of the nightmare/memory to the deaths of Harrys parents?

Alright, that’s it! This has got to be one of the worst fictions, or rather series (I’ve read from the first “Memories”), that I’ve ever had the displeasure of coming across. What makes it worse is that it’s not the writing, grammar and spelling that’s been beautifully betad, the story-line that’s been well edited, the plot that’s been well thought-out and strung together or even the ideas, tension, interactions and dialogues behind it all.
No, it’s the effing fact that it’s always a “narrow miss”-crap-device when it comes to the interesting parts, that is insistently and relentlessly being used and doesn’t allow for any release of tension. I would compare it to the trashy drama and/or romance filth where everyone is conveniently too dense and every dialogue about a certain subject is just ambiguous enough to be misunderstood or is blatantly mis-regarded and ignored just to draw things out a little longer instead of coming up with interesting, compelling new things, if it wasn’t too “the exact same”-identical to be simply a comparison.
Everyone always whines about “angst” being too much and doesn’t realise it’s actually a “device/technique” that can be used regardless to ruin any kind of writing…