ABOVE THE DEAD .com
Season 1, Episode 4 (56 pages)
"Jumping Ship"
INTRO
BLACK
Matthew's dad screaming, as he burns to death...
FADE IN:
INT. MATTHEW'S DAD'S HOUSE (flashback, day 1) - EVENING
Remains of his dad's deceased upper half (lower half burnt away). Tina (Jax), watching end of Matthew's video, and handing him his phone (in some shock). She looks over her dead father.
TINA
So...you're thinking that's going to happen, to him?
MATTHEW
I know it is. I've seen it happen to someone else.
As long as the brain is still intact.
Matthew's phone begins ringing. He ignores it. He moves in front of his dad, looking over his body, and speaking to him...
MATTHEW
Because death isn't good enough for you, is it, Dad?
All those years hating yourself, for what you are.
Yet, what you became, is even worse...(shouting at
his corpse) ISN'T IT? YOU PIECE OF SHIT RAPIST!
Matthew spits on the corpse, then swigging from bottle of booze...
TINA
Matthew...that's the one thing he actually never did.
MATTHEW
No, not to you, big sis. You're not his type...
Tina a confused look at Matthew, who again begins speaking to his dad.
MATTHEW
Isn't that right, Dad? I mean, why go out and get
a boyfriend, when you can just keep what you
are, a secret…
Tina a shocked look, at Matthew, who paces the room, while swigging more booze...
DISSOLVE TO:
THEME TUNE/CREDITS
Shots of all the chaos in the city, on day 1 of the "zombie" apocalypse, followed by bumper-to-bumper traffic on the highways, and tons of angry/nervous people honking or trying to pull off the road. Shot of Mt. Hood, followed by shots of a huge tree house overlooking a lake, which dissolves into the Columbia River, and traveling down it, through a huge forest fire, before reaching the Bonneville Dam. POV continues down the river, past the Glen Jackson bridge, flowing by tons of houseboats where the dead are falling into the river, chasing after whoever is drifting by…
POV of the Willamette River as it goes under the St. Johns bridge, and up into the hills of Portland. It travels over them, into the Beaverton area, crossing over the top of the Nike World Headquarters, and keeps traveling over farmlands, and into the coast range, finding the Glenwood Market, and a large camp with log walls, across the creek and behind the store…
POV speeds over the Tillamook Forest, Highway 26, and a bunch of other lands, before coming to the Columbia River, traveling west, under the Megler bridge, and into the ocean. It continues along the shoreline, past Astoria, the Haystack Rock of Cannon Beach, coming to a pair of jetties, and following through the channel between them. POV continues up into the nearby hills, finding a large camp, protected by a large log wall…
POV travels back down to the shoreline, and over a huge hotel, with a shot of the Twin Rocks in the ocean. POV travels by the bay of Tillamook, and along Highway 6, back into the coast range, until leaving the road, back into the Tillamook Forest, until coming to a very large compound, hidden away by all the brush and mountain-side, as opening credits roll…
DISSOLVE TO:
EXT. LAKE - DAY
POV of the ever so peaceful lake, as night becomes morning, and morning becomes afternoon. The lake remains quiet. The rope swing hangs, just over the water, fairly motionless. The dock rests calmly, on the water...
POV panning over empty, beachy area, near rope swing. Panning back to Fish's grave, and over to shady area, where Amy stares at the lake, from a chair, next to Eli, Sam, and Jax (Tina)...
ELI
I don't even think I could ever wade my feet,
in the water, again.
SAM
My dad, ruined my entire summer, a few years
ago. He showed me Jaws, that year... Best movie
ever. But it wasn't until the following summer,
that I stopped thinking about that shark… A
great white is a picnic, compared to yesterday...
AMY
Swimming, was the one thing that felt normal.
Could almost forget for a moment, just what
kind of mess we're actually in.
Amy a glooming stare, out toward the lake...
JAX
Until that mess, swam right up into our freaking
laps, just to remind us.
POV panning off from them, and back toward lake.
ELI
(OS)
Where did they come from, is what I want to know.
Still panning over the lake…
AMY
(OS)
And what happened to them...
SAM
(OS)
Or could there be more?
ELI
(OS)
No, they would have come up, by now…right?
POV stops on water, where bubbles are surfacing...
POV goes underwater, down to bottom of lake, where Frank's zombie "granddaughter", is stuck in mud/lake debris...
CUT TO:
INT. FRANK/LISA'S CABIN - DAY
POV out broken window, as Rhett cautiously approaches, with a shotgun...
RHETT
Hello? I come in peace. I've got a shotgun, but only
For my protection. Just seeing if you guys are alright.
Pretty sure I'm talking to myself, so...I'm coming in.
Cut to Rhett, at front door, discovering it's locked.
Cut to Rhett, discovering the same, of the backdoor.
Cut back to broken window, where Rhett climbs through. He begins looking around. He comes to see blankets on both sofas, in living room. Lots of things are knocked over. Some blood is on the floor...
Rhett goes into bedroom, finding blood on the love-seat, and floor. He notices bandages with blood, next to the bed.
Cut to Rhett, entering second bedroom, in shock, as he discovers remains (mostly bone) of a corpse, on the floor. He looks around the room, as he closes the door. He turns, and is violently punched in the face. He drops the gun, and falls to the floor. He looks up at a man (RAY), holding Rhett's shotgun, on him.
RAY
WHAT IN THE HELL DID YOU DO TO MY FAMILY?!
WHY IS THERE BLOOD EVERYWHERE?! WHAT
DID YOU DO?!
RHETT
NOTHING!
RAY
I go to find help for my wife, and come home
to this mess, and someone I don't know!
RHETT
I came here to find out, myself, what happened.
We were attacked yesterday; I thought maybe
the same thing happened here, after I saw the
broken window.
RAY
Attacked by who?!
RHETT
Not by who...by what.
Ray's lip trembling, fighting back the emotion of realizing what may have happened, to his family.
He lowers gun, and walks around the room.
RAY
ERICA?! MACEY?! Please, DAVID?!
He moves to front door (already open), and yells outward.
RAY
FRAAANNNNKKKK?!
Cut to Amy, and others, as they can faintly hear Ray, yelling.
RAY
(OS, from a distance)
ANNNNAAA?!
Cut back to Ray, now on his knees, as Rhett comes from behind...
RHETT
I watched my dad, have his head blown off, before
he was eaten, by the dead. Then I watched my
mom's head, blown off, after she'd become one
of the dead... I feel your pain...
RAY
(weeping)
They're just children...
RHETT
How old?
RAY
My girls are teens. (more weeping) My boy
is only eight.
Rhett closing his eyes, with dread...
DISSOLVE TO:
EXT. SHADY AREA (near gravesite) - DAY
POV through binoculars, of opposite side of the lake.
Amy using binoculars, standing next to Jax, Sam, and Eli. She hands binoculars to Jax.
AMY
Damn it, Rhett. Where are you?
ELI
You don't see anyone, at all?
Amy shaking head, with a blank stare...
JAX
Maybe Rhett told them what happened, and
they're yelling for someone to come home,
or something.
AMY
It sounded like someone in agony.
JAX
We would have heard him shooting, if he
was in trouble.
They all stand there in silence, a moment...
AMY
Rhett and I, got into a huge argument the day
before this all happened...
Amy silent (as if done talking)... Jax a perplexed look at Amy, then at the others...
Amy finally goes on.
AMY
Seems like so long ago, and so meaningless... I'd
do anything to get back to a world, where the
only problem, was my husband losing his patience,
with his pregnant wife.
JAX
Well, there were plenty more problems in
the world, but I get your point.
Amy gazing toward the trail...
Suddenly, she takes notice of something, she becomes nervous...before relieved.
Ray approaching, on the trail, followed by Rhett. Ray is rushing, yet fighting dizziness.
RHETT
Look, I don't know if you really want to see them.
RAY
I need to know it's them.
RHETT
It's not going to be pretty. Not even close...
We had to...stop them...
Amy a very curious look at Ray, as they walk past them. Now a questionable look to Rhett, who gestures, that it's okay.
RAY
Where are they?
RHETT
Over on the side of the cabin. In the brush,
next to the lake.
Ray going straight for the brush. Rhett stops for a moment, before following. Amy and the others, simply watch. Ray begins running. He goes into the brush. He can be heard weeping. He comes out, holding his dead son, David. He drops down to his knees, weeping uncontrollably...
Amy and Sam, crying. Jax comforting Sam. Rhett stands off away, from Ray, who eventually begins staring at Rhett, and his shotgun. Ray rises, going for Rhett.
RHETT
I'm sorry.
Ray walking right to him...
RAY
Kill me...kill me right now! (Rhett stunned)
SHOOT ME!
Amy and Sam, nervously crying. Rhett doesn't know what to do.
RAY
I SAID SHOOT ME, BOY!
Ray arriving to Rhett, pulling gun up toward his head.
RAY
DO IT! DO IT! DO IT! I SAID DO IT!
DOOOO IIITTTTT!
AMY
(freaking out, crying)
No.
RAY
DO IT, GOD DAMN IT! DO IT! DO IT! DO IT! DO IT!
AMY
(yelling over him)
RHETT, just do it!
Ray closes his eyes. Rhett fires. Ray drops next to his dead son.
Amy/Sam in hysterics. Eli shaken up. Jax comforting Sam.
AMY
Why is there no help? Where are they? How can
this be happening? (Amy looking at Rhett) I can't
do it anymore, baby. I'm losing it.
Amy weeping... Sam frightened, to see Amy this way, while being held by Jax...
Everyone jumps, as Scott comes tearing out cabin door (no shirt, was just sleeping), nervously looking around, after hearing all the commotion, and the gunshot...
DISSOLVE TO: FLASHBACK (day 1)
INT. STORE - EVENING
Michael in the upstairs bedroom, looking around. He looks at a picture, of Tan and Frances, along with a bunch of friends (outside the store). Michael moves to window, looking out and around, and flinching, as Mark yells from downstairs.
MARK
HE'S GETTING CLOSER TO ME!
Cut to Michael, walking down the staircase, back into the store, where Mark and Greg are still tied up, next to zombie Vincent, who is relentless, with his attempts at Mark...
MARK
You have to move me, man!
MICHAEL
Not happening.
Michael pulls out this phone, and dialing...
MARK
Come on, man, please!
Michael waiting for an answer, on the phone...
MARK
If he gets loose, I'm screwed!
Michael hangs up, nervously shaking his head, trying to think...
GREG
I can tell you're not thrilled, with your brother's choices.
MICHAEL
I know you guys think my brother is the crazy one,
but that's simply because he's the stupid one. He's
also the loyal one. I can trust him with my life. But
me, I'm the survivor one. If he gets in the way of
that, then for his sake, he better not be trusting
me with his.
Greg optimistic, to hear that...
GREG
So, are you the smart one, or the less stupid one?
Because he's already gotten in the way of that.
Unharmed, we would have taken you both to the
compound, (with emotion in his voice, as he looks
toward his dad) but after this? How can we do
anything, to help you endanger our family?
MICHAEL
You're not getting what I'm saying...
Michael looking right at them, sincerely…
MICHAEL
If I kill the guy who did this to your father, will
you allow me the opportunity to contribute,
at your compound?
MARK
YES! Now please get me away from him!
MICHAEL
I will. But first, I have to know you two won't try to
kill me. I'm not a bad guy. I was almost killed on the
road, in that accident, watched the dead come back
alive, watched my brother shoot that poor cashier,
and now...this... He needs to be put down.
GREG
You can trust us. You untie us, and avenge our
father's death, and our family will welcome you,
with open arms.
Michael looking at them, pondering what to do...
MARK
You heard him, man; now please get me out of this.
GREG
You have my word.
MICHAEL
I believe you. I just...I'm just not sure how I take care
of him, if he gets here, and sees you guys loose...
MARK
Fine, but at least move my dad!
Michael nervously looking at zombie Vincent...
MICHAEL
How the hell do I do that? (shaking head) No,
I'm sorry, I can't. He's not within reach of you.
GREG
Then what's the plan here?
Michael moves toward window, looking out, as a car can be heard. It goes speeding by. Michael leaves window...
MICHAEL
He'll have more guns once he gets back, but he won't
be expecting to need them, as long as everything here
seems normal. Our sister will be with him, too. She's
no threat to you guys. She'll be shocked when I betray
Matthew, but she'll understand, once she knows what
he did, to your dad.
Greg nodding a bit, pondering the plan.
GREG
How will you do it?
MICHAEL
I don't know yet. Not in the back. I have to face
him. I have to tell him he brought it on, himself.
GREG
I'm sorry...sorry you have to do that...
MICHAEL
I'm sorry my brother killed your dad...
Michael's phone rings.
MICHAEL
(into phone)
You on your way, yet?...Yeah, don't worry, they
already told me where to find the compound.
But nothing about this so-called, closer place.
Michael pulling phone away, trying to redial (lost service).
MICHAEL
What the...
GREG
What happened?
MICHAEL
(shaking head)
I think I just lost service.
He goes to counter, reaching for landline phone, and checking it.
MICHAEL
Yep...
GREG
Society is crashing...
Mark an uneasy look at Greg. Michael pacing, looking outside, thinking...
MICHAEL
What's this other place, you guys were talking
about? Is it a better place to be, than here? I
mean, we do have food, and a generator, here.
Greg and Mark sharing a look...
GREG
It's my uncle's cabin. He's probably waiting for us
to arrive, so that we can all head to the compound.
MICHAEL
So, we have to stop there first, then. Will they be
alright with me?
GREG
If you do, what you say you're going to do, and
they'll think you're a hero.
MICHAEL
How far are they?
GREG
It won't take long to get there. Once we do, we'll
all be safer traveling with them.
MICHAEL
You think the roads will even be clear enough, to
reach wherever exactly this compound is?
MARK
It's not far, off of highway 6. They've got a helicopter,
so, hopefully they're scouting the roads for us.
MICHAEL
You have a freaking bird! And you honestly think
they're using it to scout the roads?
MARK
Our grandpa has a family plan of action, for this
sort of thing. Whatever the hell this sort of thing
is. But yes, that's a part of the plan. Using the
"bird" to ensure safe travel, for those evacuating
to the compound.
MICHAEL
Yet, now we have no way to communicate with them.
MARK
We have walkie-talkies in the car.
MICHAEL
Jesus...quite the fanatical family, aren't ya'?
GREG
And how convenient that is, for you.
MICHAEL
Indeed...
Greg studying Michael, as much as he can...
MICHAEL
So, uh, you guys want some food? Something
to drink?
MARK
Water, please.
GREG
The same...
Michael grabbing two waters, and an energy drink. He brings waters to them, while swigging from the energy drink. Greg watching him, studying him...
MICHAEL
So...I've never killed anyone, before...how
about you guys?
GREG
You sure you're up for this?
MICHAEL
I'm not missing a chance at meeting this family...
Greg still watching him, as he and Mark drink water…
MICHAEL
So, where exactly is the cabin, we have to stop at?
MARK
A few miles from - (cutoff)
GREG
Mark...(shaking head at him)
MICHAEL
What?
Greg just silently looking at him. Mark looking at Greg...
GREG
He's lying to us...coning us...
MARK
What?
MICHAEL
I guess I don't blame you, for being skeptical, but
can I ask what I said, that suddenly has you so
concerned?
GREG
This is too much good cop/bad cop. You're totally
working us, and it'll be your brother's death,
before I believe any differently.
MICHAEL
(changing demeanor)
I wouldn't have survived growing up, without my
brother. We got through it all, together. I would
never hurt my baby brother.
Greg and Mark with disappointment over their faces...
DISSOLVE TO: PRESENT TIME
EXT. FISH'S PORCH - DAY
Everyone on the porch, with gloomy/distraught expressions. Scott looks exhausted. Amy simply stares ahead, with a blank expression.
SCOTT
So...I'm going to go ahead and say it. I know the
plan is to wait it out, for Sam's family or military
assistance…But, after this...and with how long it
may take for help to come...we need to at least
explore what other options, we may have.
JAX
It was really quiet out there, when I was exploring...
SCOTT
You were on foot. I think I should take Eli,
and drive around some.
RHETT/ELI
Why, Eli?
SCOTT
Need a man, here with the others. I need someone
who can have my back, out there. I know you're
only thirteen, Eli, but you're a big kid. You're not
going to be easy for people to mess with.
ELI
I got this... Do I get to take a gun?
SCOTT
(looking at Rhett)
You showed him the basics, right?
Rhett nodding, as Scott hands Eli a gun.
SCOTT
It's time we all start doing what it takes, to survive
this...We'll be going through town, to see if the
military has been through there, at all. Then I
know a few places worth checking out.
RHETT
What if you run into aggressive people? A big
group of them?
SCOTT
I think the longer we wait, the riskier something
like that, actually is. Aggression will grow, the
longer this thing goes on for. As will the amount
of dead people, which is why you guys should
get to work, on digging today.
JAX
Digging?
RHETT
You still want to build the shelter?
SCOTT
Eventually. First, we need a giant pit, over by the
tree house. One we can lead the dead into, when
they show up. No more wasting ammo, on them.
ELI
Huffs...no more wasting ammo, on huffs.
Sam smiling…
RHETT
I like it. We'll get started on it, now.
SCOTT
Perfect.
Scott leading Eli toward truck...
CUT TO:
INT/EXT. SCOTT'S TRUCK - DAY
Eli handling his gun, becoming familiar with it, as Scott drives.
SCOTT
Alright, heads up. About to enter town.
ELI
Oh my God, there goes a huff right here!
Cut outside of truck, driving by the huff, as it walks in direction of them.
SCOTT
That's what I mean right there. Keep your eyes
open, tell me anything you see.
POV of small mountain town, as they slowly drive through. It's in decent shape, compared to what most cities would now look like. Some houses even have people peeking out, behind boarded up windows. An occasional huff, here and there.
They speed up, as they come to a house, where a man with a shotgun is shooting a huff, several times, before making the kill shot.
ELI
We should go back!
SCOTT
We're okay, but yeah…obviously no military
help, here...
Truck speeding out of town...
CUT TO:
Truck slowing down. Scott's POV of two young children (a boy and a girl), walking alone on the road. He and Eli share a look, as he pulls over, close by the children. He and Eli cautiously climb out of truck (engine still running).
SCOTT
Are you two, okay?
The children look extremely scared/nervous. and don't speak...
SCOTT
Where's your parents?
A man and a teenager, suddenly rise from the brush, aiming guns right at Scott and Eli, and quickly walk right up to them. The mother of the children, comes running to them (from other side of road), and holding them close. Scott and Eli hold up their hands, as the men grab their guns, and the family all go straight for the truck...
MAN
Sorry. I love my family, and my family needs
your truck.
The mother and her children, with solemn looks, at Scott and Eli, as they drive away...
SCOTT
FUUU
CUT TO:
EXT. TREE HOUSE - DAY
Close-up of shovel scooping dirt, panning back as Rhett, Jax, and Sam, work hard (all shoveling), at the beginning process, of a large pit (partially hidden by brush)...
JAX
I'm proud of you, Sam. Most ten-year-olds, would
sit in the shade with the pregnant lady, watching.
SAM
I'm not most ten-year olds. I worked hard the
day we built that tree house, up there. I'm not
afraid of hard work. It's good for you.
JAX
You remind me of myself, at your age. If I didn't
do things around the house, things didn't get
done. My dad was a drunk...
SAM
My uncle Leo, has that problem.
JAX
Drinking?
SAM
Yeah. I hate it...
JAX
You and me both, kiddo. You and me both.
Suddenly, they all freeze, as a noise comes from somewhere near. Sounds like someone walking. Rhett drops shovel, instantly going for gun.
They all wait and watch, as eventually a man and woman (with backpacks), are approaching the cabin. They don't seem to notice Rhett, Jax, or Sam, as they keep their eyes on the cabin. The man spots the tree house, and then freezes, as he takes notice of Rhett and the others. The woman stops, and looks. Rhett makes his gun noticeable.
MAN
We're sorry for trespassing. We didn't think anyone
was here. (backing away) We're moving on.
JAX
(looking at Rhett)
What if they come back?
RHETT
(sarcastically)
Should I go kill them?
Sam a look from Rhett, to Jax...
JAX
Of course not. We just have to keep an eye out,
now. People are going to want this tree house.
RHETT
Are they going to risk their lives for it?
JAX
Some will. More and more, as time goes on.
SAM
People will want to be "above the dead"…
Tree houses could be the way of the future...
Sam pondering that thought...
CUT TO:
EXT. MOUNTAIN ROAD - DAY
Scott and Eli, walking along road (carrying sharp sticks)...
ELI
Regardless of how rich Sam's family is, they aren't
going to be able to make it here, are they?
SCOTT
I'd think they would. I'm just worried it'll take
some time. And what we just experienced, that
kind of thing will catch up with us, even at the
tree house...sooner or later.
ELI
So, you think people will try to take it from us?
Like they just did your truck?
SCOTT
Eventually, yes...
ELI
Don't we have an advantage? Being up there?
Shooting anyone who tries to take it?
SCOTT
Maybe for a while. Maybe not. But if people are
willing to use their own kids, as bait...who knows
what else they'll try... Not to mention, we don't
have a ton of ammo.
ELI
I wish DJ was here. We could use him. I wish
my dad was here. He'd know what to do.
SCOTT
I wish that, too...
Suddenly, a vehicle can be heard, approaching. Eli a nervous look at Scott.
ELI
Do we hide?!
Scott hesitant on what to do, as it becomes too late, to hide. He takes notice of it being a military vehicle.
SCOTT
It's military!
Scott and Eli anxiously waiting for them to stop, but they simply drive right past, and even aim guns at them.
TROOPER
They're alive...for now...
Soldier remains aimed at them, as they pass by. Scared/disappointed and shocked, Scott and Eli watch them go by.
ELI
I thought they were going to shoot us?!
Scott just standing there, in shock...
CUT TO:
EXT. TREE HOUSE PIT - DAY
Rhett and Jax, still hard at work (pit deeper), while Sam sits (dirty/sweaty face) with some water, taking a break.
RHETT
You know, once we use this pit, to catch some of
those things, we could use them as scarecrows.
Tie them up close by, or something. That'd scare
people off, wouldn't it?
JAX
I'm starting to like the way you think...very twisted!
RHETT
We need to study them. I'm curious what would
happen, if we were in the tree house, with fifty of
them below, and they knew we were up there.
Would they just stay there waiting, for us? Or,
eventually go on?
SAM
You really think we'll see that many, up here?
RHETT
Hopefully not. I can't imagine how bad it is in the
city, but up here, I don't see it getting that bad.
JAX
Until more people begin dying...
Some silence…
SAM
Shouldn't they have been back by now?
AMY
(OS)
That's what I was thinking.
RHETT
You guys keep thinking that way, and you'll just
torture yourselves. They really haven't been
gone that long.
JAX
Sam, tell me more about your family. Just to get
your mind off other things. I know Zane is your
favorite. Scout too. Dakota? Is that Zane's sister?
SAM
Yeah.
JAX
You seem to mention her a lot, too. They have
how many other siblings?
SAM
Zane is twenty-six, and the oldest. Troy is twenty-
four, and engaged to Angela, who is pregnant.
Kate is twenty-three, Dakota twenty-one, and
Jagger is nineteen.
JAX
Wow, you must really care about them all, to
remember their ages, so well. Can you name
the entire family and ages, like that?
SAM
Easy. Hunter's forty-nine, his wife April, is
younger. They got married at the compound.
Miles...is...or...was, thirty...
Sam unable to go on...
JAX
Sorry. Was trying to take your mind off one
thing, guess I brought it to another.
SAM
It's okay. I just keep forgetting about him...
because of my dad.
JAX
Must be nice...having so many people to care about.
SAM
Or to worry about...
DISSOLVE TO: FLASHBACK (day 1)
INT. STORE - NIGHT
Close-up Mark, screaming for his life, panning back to zombie Vincent, inches away from his neck. Matthew holds a leash, which holds Vincent (his lower half still tied down next to Mark), and continues to allow him closer and closer, to Mark's flesh.
MARK
STOP! STOP IT, NOW!
GREG
I'M GOING TO KILL YOU!
MATTHEW
TELL ME, NOW!
MARK
YES, YES, I'LL TELL YOU! Just please pull him away!
Matthew pulling back Vincent. Michael helps hold him down, as Matthew ties the leash, keeping Vincent out of Mark's reach...
DISSOLVE TO:
INT. STORE UPSTAIRS BEDROOM - NIGHT
Matthew, Michael, and Tina, (Jax) in bedroom discussing options.
TINA
A single father and a ten-year-old. I'm great with
kids, and even better with single fathers. I got this.
MICHAEL
You got your back-story, down?
TINA
Traveled up here with you guys, got stuck in the
traffic jam, got separated from both of you, and
am starving.
MICHAEL
And your brothers are all that you had, in the
world. Make them feel sorry for you, and that
you have nowhere to go.
TINA
Got it.
MATTHEW
We'll give you at least a few hours, to bond. When
we do show up, act shocked to see us. We'll say
we found a car, and have been searching for you.
MICHAEL
Maybe mention someone took you in, for the
night. Some frightened people, who asked you
to leave in the morning. It'll make you appear
trustworthy.
MATTHEW
No, don't complicate things for her.
MICHAEL
This family is smart. That guy down there can
smell BS, a mile away. His dad was a clever
one, too.
MATTHEW
So clever he got himself killed. (looking at Tina)
Just be the actor you've always been. You're a
natural, baby sis.
MICHAEL
We should get some rest. We want to get her
there early.
TINA
Early!? Okay this plan just erupted, and I'm calling
for an evacuation. How am I supposed to sleep? I
just got up, a few hours ago.
MICHAEL
Good, you can help Matthew guard, then. I'm
gonna' crash, for a few.
Michael laying back in the bed, as Matthew/Tina exit room.
TINA
(joking)
You guys got anything good to eat, here?
Cut to downstairs, to Greg and Mark.. Vincent is still close by, reaching for Mark, who now has a small amount breathing room.
MARK
I'm sorry, Greg. I couldn't help it.
GREG
It's okay, I would have done the same thing.
MARK
No, you wouldn't have. Dad must be so ashamed
of me.
GREG
All Dad cares about right now, is that we find a
way out of this. I think I can get loose by morning.
MARK
Serious? I'm not even close... You think they'll even
keep us alive, till morning?
GREG
They won't kill us, until they know for sure they
can find Fish. We have till at least morning,
probably afternoon.
TINA
(OS)
Now this is what I call an end-of-the-world
party, you don't even have to BYOB!
Tina opening cooler doors, reaching for some beer. Matthew gathering some grub. Tina doing the same. Greg and Mark watch her. She heads to table, sitting. She begins eating, while staring at the huff's relentless effort, to reach Mark. Greg and Mark staring at her. Matthew taking a seat next to her.
TINA
It never gets tired, does it? It just keeps trying,
until something gives. (looking at Matthew) What
happens when something gives?
MATTHEW
The dumbass on the radio, thinks you become infected,
because he still thinks they're sick, and not dead. So, I
don't know... (just staring at Mark and Greg, speaking
quietly) But we sure need to find out.
Tina looking over both Mark and Greg.
TINA
Damn...I was so impressed, you two took over a
convenient store, that I didn't even notice the hot
guy, you have tied up. Guess the dead guy, kinda
threw me off.
Tina walking over to Greg, with an extra beer, and offering it to him.
TINA
A nice cold one? (looking back at Matthew) You
did feed these poor bastards, didn't you?
MATTHEW
Chow time was on Michael's shift.
Tina looking at the can, next to Greg.
TINA
Really? You're making them piss in a can?
MATTHEW
They already resulted to violence, once today.
Bathroom breaks are almost guaranteed trouble.
TINA
Well, this one is cute. I just may have to take
my chances with him, later.
Tina walking back to Matthew, at table...
DISSOLVE TO:
INT. STORE BACKROOM - NIGHT
Matthew and Tina, going through backroom stock...
MATTHEW
This is why I hate leaving this place. We can't just
leave all this behind.
TINA
We should pile it all up. Maybe even begin stashing
it somewhere, close by the cabin, until you guys
show up. You're going to use an abandoned store,
as part of your story, anyhow. Be hard to turn you
guys down, if you show up with all these supplies.
MATTHEW
Thinking this family has plenty of their own supplies.
But yeah, we should stash some tomorrow. Michael
said a few more cars pulled in, while I was gone. I'm
gonna' check out some potential new homes, in case
we need to bail. Someplace with less visitors.
MARK
(OS)
Hey, he's getting closer to me! You guys HAVE to move
him, please!
Matthew a smile at Tina...
TINA
You really gonna' make those two poor bastards
spend the night, tied up next to Hannibal Lecture?
MATTHEW
Don't believe everything you hear on the radio, sis.
At least not until you see it with your own eyes.
TINA
So, what are you waiting for?
MATTHEW
Like I just said, to see it with my own eyes. I wanna'
make sure what they told us, is true.
TINA
Then let's go now. Why wait till morning?
MATTHEW
Screw messing around out there, in the dark. Besides,
we have to hold down the fort. We jump ship now,
we might land in water.
TINA
Give me the...
Suddenly power/lights go out. A few emergency lights come on, but store remains fairly dark.
TINA
What the...
Matthew reaches for a flashlight.
MATTHEW
Michael called it. I hate when he's right. There's
a generator out back.
Turning on flashlight and leading Tina out, into store section, as Mark begins freaking out.
MARK
Oh SHIT HE'S LOOSE, HE'S LOOSE! GET HIM OFF ME, GET
HIM OFF ME!
GREG
GET OUT HERE! GET OUT, NOW!
Matthew shines light at Mark, just as Vincent comes within an inch from biting his neck. Matthew running toward him, with flashlight.
MARK
AHHHH! HE GOT ME! HE FREAKING BIT ME!
GREG
HELP HIM!
Matthew shines light on Mark's wound (shoulder), as Vincent goes for his neck. Matthew finds and pulls on leash, just in time to prevent another bite. He hands flashlight to Tina. Mark's in a ton of pain.
MATTHEW
Quit crying, it's just a flesh wound.
Tina turns, to shine light on Michael, as he races down the stairs...
MICHAEL
What's happening?!
MATTHEW
Go get that damn generator going.
Dissolve to later, with store lights back on. Matthew/Tina leading Vincent (using 2 leashes), out door, and latching him just out of reach, from the door...
MATTHEW
Now, that's what I'm talking about. Even someone as
cray-cray as myself, wouldn't come shopping here.
TINE
(laughing)
Shopping! You're funny!
Matthew staring at him a moment. He reaches into his pocket, pulling out a candy bar. He opens it, and places it right up to Vincent's mouth.
TINA
What are you doing?
Vincent goes around it, and right for his wrist, as he quickly pulls it away.
MATTHEW
Are you God damn kidding me?! Even with chocolate
under your nose, you still prefer flesh?!
Tina laughs, and follows Matthew back inside.
MATTHEW
Now, I've seen it all...
Matthew entering store, where Mark cries out in agony, as Michael looks over the wound...
GREG
Come on! At least bandage it up for him!
Matthew heading toward backroom.
MATTHEW
Don't even touch that thing. Could be contagious, or
something. Wait, no. Actually, go ahead and bandage
it up. If he dies, I wanna' know it was from the bite,
and not an infection.
Matthew enters backroom, walking straight to a pile of powder, lying by some of his things. He snorts it right up, feeling rejuvenated…
DISSOLVE TO: PRESENT TIME
EXT. MOUNTAIN ROAD - DAY
Scott/Eli walking road...
A car comes. They cautiously watch as it speeds up, while passing them...
ELI
I wish Sam was here...
SCOTT
Yeah? I keep hearing how fond of you, she's
becoming. Didn't realize the feeling was mutual.
ELI
What?! No! I just meant too bad she's not here,
because we could use her, the same way those
people used their kids.
SCOTT
Wow...Not even a week into this new world,
and you're becoming corrupt, already?
ELI
Why do you say that?
SCOTT
Because anyone who'd stop, would be good,
honest people. Or else they wouldn't stop. You
really want to take advantage of people like that?
ELI
No...But what if it meant us or them?
Silence a moment...
SCOTT
Then you get creative...and find a way to
save everyone...
Walking on, in silence...
ELI
I think my dad would disagree with you...
I'm not saying I do, just that he probably
would have. I keep thinking about what
he'd be doing, or saying, if he were here...
More silence...
SCOTT
Do you agree with what he'd be doing, or saying?
Little more silence...
ELI
I don't know... He joked a lot. Sometimes I
couldn't tell how serious he was, when he
said some of the things, he said...
Scott chuckles.
SCOTT
He definitely made me laugh.
ELI
He either made you laugh, or if you didn't get him,
he offended you…is what my mom always said.
SCOTT
Well, then maybe some of those things he said,
he wasn't so serious about.
ELI
Maybe...
CUT TO:
EXT. TREE HOUSE PIT - DAY
Pit is much deeper, as Rhett, Jax, and Sam (completely sweaty/dirty), continue working.
SAM
And finally, after nothing but uncles, I have my Aunt
Scout, who is forty, and three more cousins, Hope
eighteen, Ryder seventeen, and Bryant fifteen.
There's also my Aunt Barb. She and her husband are
already safe at the compound. She's Hunter's ex-wife.
They still get along really well.
JAX
I can't believe I come from nothing, and you come
from all that. Even exes getting along. One lucky girl!
Jax shaking her head, as Amy approaches with concern...
AMY
Something happened. They should have been
back, by now.
RHETT
I'm trying not to think about it. Not even sure
what we can do about it.
AMY
I'm sure Sam wouldn't mind if we used her
dad's car, to go look.
RHETT
I just don't see the point. At least not yet.
SAM
I have to stay here, in case my family shows up.
AMY
You don't see the point? You don't see the point,
in your own little brother?
RHETT
Amy.
AMY
What? Am I overreacting? Did I not see human
swimming monsters, trying to eat us yesterday?
And that guy, (getting emotional) that poor guy.
I can't go through it, Rhett. I can't go through
what he did. (Rhett climbing out of pit) Cause
that's what the "point" is. I can't lose everyone.
I can't survive that. Not your brother, not my
dad, no one!
Rhett holding her tight, as she takes a deep, deep breath...
RHETT
I'm doing everything I can, to prevent that.
AMY
I know you are. I'm sorry...
Rhett leading her away.
RHETT
Come on, let's get you a cold drink...God knows
I need one.
AMY
You need a shower.
JAX
For the record though, I agree with Rhett.
AMY
Because you're a bitch...
Sam a wild look at Jax, as Amy and Rhett walk on...
JAX
(talking to Sam)
I just meant like you said, we need to stay here. We
have to be smart now, not emotional and paranoid.
SAM
She's just pregnant. She'll be fine, once she gets to
the compound.
Both climbing out of pit, and walking toward lake.
JAX
You guys have a doctor there?
Sam looking at Jax.
SAM
We have a hospital.
Jax excitedly impressed.
JAX
Holy apocalypse! How can this place be that great?
SAM
Zane always said the apocalypse was like Christmas,
to Grandpa. Grandpa always said the compound was
for the family, of the future. For my kids, or their kids.
He said he'd rest well in the afterlife, knowing his family
had a fighting chance, if things did go bad. I don't think
he actually expected it to happen so fast…or even in his
lifetime.
JAX
What an amazing guy. I just can't believe I'm lucky
enough to have met you. Your family seems like a
dream. End of the world, or not.
Sam looking ahead at the lake.
SAM
We're not really walking to the lake, to wash
up, are we?
They both stop, and stare at it. Then Jax looks at the cabin...
JAX
You guys have a hose, right?
Sam nodding, as they both turn and begin walking toward cabin...
Cut to the cabin, as Rhett places down a plate/sandwich, in front of Amy.
AMY
And there's just something off about Jax,
don't you think?
RHETT
What do you mean?
AMY
She's all over Sam, for one thing. Asking all these
questions about her family, as if that's the only
reason she's interested in her. And does she scare
at all? She's not the least bit freaked out, about
anything. You, Eli, even Dad, you've all been
traumatized and shutdown, with shock. It's like
she's already used to it. She's seen more than
she's sharing. I just don't know why...
Rhett beginning to grin at her...
RHETT
There's my sexy, psychiatric specialist. You know
I love it when you analyze, the way you do.
Amy trying to muster a smile, before going on.
AMY
Then you know I'm right.
RHETT
Yeah, but you said it yourself, you don't know
why. She might just not want to talk about it.
AMY
(shaking head)
No, I don't think that's it. An option, sure. But, (again
shaking head) it's something else, with her...
RHETT
A little jealous, maybe? Sam seems to like her.
Amy in shock...
AMY
I adore that child! I love that child, and I don't
care who her family is!
RHETT
I know, I know. I just think Jax is harmless.
I also think we need her.
AMY
I think you should check her stuff.
RHETT
I already did, the day she got here.
AMY
Check it again. Maybe she was expecting us to check.
Suddenly, Jax (followed by Sam) can be heard screaming outside, as Rhett goes flying out of kitchen. Amy goes toward window, with a look, then following after Rhett.
Cut to cabin door, where Rhett comes speeding out, hopping off porch, running around side of cabin, where Jax/Sam, continue to scream.
Rhett suddenly stops, watching. Amy comes from behind him, also stopping. Suddenly, water from the hose, sprays them both, as screams (from Jax/Sam) turn to laughter.
POV Jax and Sam (soaking wet), as Jax turns, to spray Rhett and Amy.
JAX
It's not the lake, but it gets the job done!
Sam, suddenly becoming even more happy/excited.
POV Eli arriving, and more than anxious to be sprayed down, as Jax turns the hose on him. Amy (super relieved), turns to see her dad arriving, as she runs into his arms.
AMY
Oh, thank God! What happened?
SCOTT
We're okay.
Amy coming out of hug, looking at her dad.
RHETT
Where's the truck?
Scott taking a deep breath, with a look of dread.
SCOTT
Just a second. Hey Jax...
Scott putting up his arms (needing to be cooled off). Jax begins spraying him, to his relief...
DISSOLVE TO: FLASHBACK (day 1)
EXT. STORE PARKING LOT - NIGHT
Vincent (huff), becoming excited, as someone appears to be approaching him.
POV swastika tattoo, panning back, to the guy who killed Fish, as he approaches the store (with knife).
Suddenly, he is fired on, as he runs for his life, back toward car, along with his two friends, as they all jump in and drive away...
Cut inside store, to Matthew.
MATTHEW
I can't believe that crazy ass, tried coming in here.
(looking at Michael) You gonna' be able to handle
this, by yourself, tomorrow? (now looking at Mark)
Maybe he'll be dead by then, and we can double up
at the door. (with laugh) Or just tie em' all out there,
and see what kind of a looney tune it takes, to
approach that mess.
GREG
You're going to wish we were still alive, after you
fail to do whatever you plan on doing to my uncle.
Your only chance of seeing that compound, is by
freeing us. (looking at Michael and Tina) You do
that, and put a bullet in your brothers head...and
you'll have your tickets to said compound.
Matthew putting his arms around Tina.
MATTHEW
Michael said you already played those cards. Good
luck with dear old sis. She actually kind of liked my
dad, yet watched me set his ass on fire, without
dispute. She's going to steal your uncle's heart, is
what she's going to do, and get her loving brothers,
right on into "said" compound.
Greg sharing a look with Tina. A look that gave him hope. He turns to look at Mark, who is becoming feverish...
DISSOLVE TO: FLASHBACK (day 2)
Same POV of Mark, from previous scene, as night gives way to early morning. Both he and Greg, are now asleep. Mark more feverish than before...
Greg wakes up. He looks to his brother. He feels his forehead, with a concerned look, coming over his face. He looks over at Michael (asleep), at counter.
He glances outside, where Vincent is quietly pacing around. Suddenly, Greg is aware of something in his pocket. He pulls out a nutrition bar, with a folded piece of paper, taped to it. He unfolds it, and reads.
POV note.
NOTE
Eat! I want you to survive. I will do my best to warn
your uncle, and lead him to you. I hope to get to
know you better. Love, Tina.
Greg not sure what to think...
DISSOLVE TO:
EXT. HOUSE - DAWN
POV of smaller/older home, in private area, without nearby neighbors. Matthew's car is parked outside. Tina walks from car, over to front door of house, and knocks...
Cut inside, to a man, with shotgun (dark inside, no lights on), quietly coming to his front door, and peeking out the boarded-up window.
His POV of Tina, standing on other side of door. She knocks. He stays back, quietly and ready to use his shotgun, if necessary. She knocks one more time, loudly.
TINA
(OS)
Please, help us! My brother has been bit. I have food
and supplies, but I need your help with my brother!
He watches her turn back toward car. Man turns around, coming face to face with Matthew, who immediately sticks a knife in his gut.
MATTHEW
That's for not helping her brother, you piece of shit!
Man drops to floor, dead/dying. Matthew opens locked door. Tina smiles, and comes back to door. She enters, and looks down at the guy. He is wearing a Portland Trailblazers jersey (same man who was a huff, in episode 2, and attacked Scott, before Rhett chopped his head off, and tried to drown in the lake).
Matthew begins strapping leashes on him.
TINA
You had to kill him?
MATTHEW
I'm sorry, did you want to do it? Don't worry,
you'll get your chance.
TINA
What you mean?
MATTHEW
We'll set him loose, at their place. You show up
and save the day.
TINA
Are you kidding me? With what?
MATTHEW
Here, help me move over there, to tie him up. (Tina
begins helping) Do it with a gun. You try it with a
knife, you might get bit. Plus, when they see you
know how to use a gun, they'll know you're a keeper.
TINA
I guess I can do that.
MATTHEW
Just blow his head off. And don't miss, or he'll bite
yours off.
TINA
You're sure he'll definitely die?
MATTHEW
What's it matter? You blow his damn head off,
and he can no longer bite you.
TINA
Just creepy, thinking about.
MATTHEW
Come on, let's unpack all the goods.
Matthew heading out door, while pulling out walkie talkie, and calling out to Michael.
MATTHEW
(into radio)
We have our backup ship. Unpacking, and then
en route to meet our new family.
MICHAEL
(over radio)
Rodger that...
DISSOLVE TO:
EXT. NEAR TREE HOUSE - DAY (morning)
Matthew turning radio down, before speaking to his brother, very quietly.
MATTHEW
(into radio)
We have eyes on the mother ship. Good old Mark
was telling the truth. If he actually lives, we'll give
him a quick death. We're moving in for a better
view. cray-cray out.
Tina walking to guy in trail blazer jersey (now a huff), who is tied up, by the leash.
MICHAEL
(over radio)
Just be smart, not cray-cray...
MATTHEW
(talking to Tina)
Just leave him there, for now.
DISSOLVE TO:
POV through binoculars, of Fish (as a huff), walking around near the tree house...
MATTHEW
(OS)
Son of a bitch...
TINA
(OS)
What?
Matthew reaching for phone from his pocket (Mark's phone). He pulls up picture of Fish and Sam. He then looks through binoculars again.
MATTHEW
Greg is going to be so disappointed. His high and
mighty uncle, is not so tough, after all.
Tina grabbing binoculars and looking for herself.
TINA
You're saying that's him? Uncle Fishy?
Tina looking at the picture...
TINA
Must not be a recent photo...
Matthew squinting eyes, taking notice of something, and reaching for binoculars.
MATTHEW
Wait a minute. Who the hell is this?
POV through binoculars, of an old lady (with a suitcase), approaching Fish. The lady (Mrs. Pederson) walks right to him.
TINA
(OS)
Is she dead, already, or...
POV remains through binoculars, as Fish bites into Mrs. Pederson, who screams, loudly, followed by a second weaker one, as she quickly fades away, and Fish begins gobbling down her body.
Tina ripping the binoculars from Matthew, and looking.
MATTHEW
Where the hell is the girl?
TINA
Is he going to eat her whole?
POV through binoculars.
MATTHEW
(OS)
Wait! Look up in the tree house! I think I see
her, peeking out.
Binoculars move to tree house, finding Sam peeking downward at the scene, before quickly looking away.
TINA
(OS)
Bingo...
POV Matthew.
MATTHEW
Well, if this just doesn't work perfectly. She's all alone,
all we have to do is babysit, until her family shows up.
TINA
We?
MATTHEW
Yeah, look at this place. It's perfect. Grab that generator,
all the food, and either make a life here, with our new
baby sister, or our new family, at the compound...if they
actually make it here.
Matthew looks at Tina, as she comes out from binoculars, with a tear running down her face...
MATTHEW
What the shit? Are you kidding me? Everything you've
been through in life, yet you're feeling pity on this kid?
TINA
It's not like I'm trying to. I mean...she didn't just lose
her dad, she's watching him go to freaking brunch, on
that old woman... Guess I'm not as "Tin Man", as you.
MATTHEW
(shaking head)
You big softy.
TINA
Just getting into character, before I become the
guardian of a ten-year-old.
MATTHEW
Yeah well, due to the circumstances, motherhood
is gonna' have to be put on hold, for a few hours.
TINA
Why is that? Shouldn't I go up there, now?
MATTHEW
(shaking head)
Now that we're ditching the store, we'll need your
help gathering everything.
TINA
And what? Just hope for the best, when it comes
to her safety?
MATTHEW
She'll be fine. The dead are too...dead, I guess,
to climb ladders, or he would have gone up
there, already.
Matthew heads away, as Tina follows.
TINA
What about your friend?
MATTHEW
Leave him here. We'll set him free, and kill him
in front of the kid. She'll tell her family, and
make us heroes.
CUT TO:
INT. STORE - DAY
Greg's head in his hands. He looks up as Matthew/Tina enter store, with looks down at him and Mark. Mark completely feverish, and out of it.
MATTHEW
Still human, eh?
MICHAEL
Not for much longer.
MATTHEW
Smells like he messed his diaper.
MICHAEL
I believe he did.
MATTHEW
Mother of the year here, can change it. You know
this sappy sister of yours, actually shed a damn tear,
over her soon-to-be foster daughter?
Greg looking up, with concern.
GREG
Why? What do you mean, foster child?
Matthew looking at Michael.
MATTHEW
You didn't fill him in? (now speaking to Greg) We
caught your Fish, but had to throw him back. He
wasn't alive, enough. Although, alive enough to
be snacking on that poor old woman, he killed
with his bare teeth.
Greg hanging his head, as Michael follows Matthew into backroom.
MICHAEL
You look like shit. You need some sleep.
MATTHEW
I need coffee...some like it black, some like it white...
They disappear into backroom. Greg looks up at Tina, who's staring back down at him, with concern.
GREG
Is he really dead?
TINA
(nodding)
But your cousin is okay.
GREG
Oh my God, Samantha. How okay can she be?
Tina kneeling down, speaking quietly, near his ear.
TINA
I'm not gonna' let anything happen to her. Treat
her like my own kid. When the time is right, I'll
take care of my brothers.
Greg a very serious look at her...
GREG
You do that...then you better do one more thing...
survive! Because you're mine, I'm yours and no one,
I mean no one, will ever lay a damn hand on you again.
Tina with emotion in her eyes, leans in for a kiss. He places his hands on her face. She comes out of kiss, staring back at him.
GREG
(his hands still on her face)
Other than me...
Tina can't help but to smile, and has to wipe away a tear, as she rises and heads to backroom. While en route to backroom, she flashes to a memory, of childhood.
DISSOLVE TO: CHILDHOOD MEMORY
INT. BEDROOM - NIGHT
Tina (about 13) at her door (cracked open), listening to the sound of Matthew, being beaten (downstairs), by their father. He is crying/hurting, and begging his dad to stop...
Eventually, he does stop. Tina can see Matthew (about 10) walking up the staircase, bruised and bloody. He notices her, and comes right to her door, violently forcing it fully open, and throwing Tina down against her bed, and onto the floor.
MATTHEW
How come all you do is watch?!
Tina frightened, and bracing as he moves in and kicks her face.
TINA
I'M SORRY! I DON'T KNOW HOW TO HELP!
He begins beating on her as much as he can. Michael (about 11), comes running into room, trying to stop Matthew, and his rage. Matthew (breathing hard) finally stops...
Tina is crying and bloody. Michael staring at Matthew, who looks back at him. Suddenly, their dad comes charging in, beating the crap out of all three of them. They fall to the floor, trying to brace from the abuse, as much as they can.
DISSOLVE TO:
INT. STORE BACKROOM - DAY
Tina entering backroom with a look at Matthew and Michael, who both stare back at her.
MATTHEW
You want the honors, sis?
TINA
To do what?
MATTHEW
Time to get rid of dead weight.
Tina eyeing her gun (lying on counter between them).
MATTHEW
Not with a gun, we need the ammo.
TINA
You sure we don't still need him?
MATTHEW
For what?
TINA
Just until we finish moving out. You said we're still
making at least one more trip back here. I want him
to tell us everything about his cousin, that he can.
MATTHEW
Good luck with that. Now start carrying these boxes out.
Matthew and Michael, both exit with boxes. Tina grabs her gun, placing in her pants. Then she grabs a box, and exits...
Cut to Michael, loading the last box, in the stuffed car. Matthew and Tina, climb inside and drive off.
MATTHEW
So, you get anything out of lover boy?
TINA
(staring out window at Michael)
I told Michael to work on him. I want her to be able
to relate to whatever character I come up with, for
myself... The character I will become...
Cut to Michael, entering store. POV remains on closed door, and over to Vincent, who seems interested in something, off in the brush.
POV Tan (store owner), with gun, creeping out of brush. Another man is behind him, and one more behind the store. All creeping toward it, but trying to remain unseen…
CUT TO:
EXT. HOUSE (where Matt killed Trail Blazer fan) - DAY
Tina and Matthew carrying boxes, from car to house. They go inside, placing down boxes. Matthew turns to go back out. Tina behind him, reaching back, placing hand on her gun. She stares at Matthew. She begins to pull out gun. Suddenly, Michael comes over the radio (in hysterics), with gunshots in the background.
MICHAEL
(over radio)
MATTHEW, I NEED YOU HERE NOW! I'M TAKING
FIRE. THERE'RE TOO MANY!
Matthew running to car, followed by Tina, as she places gun back in her pants.
MATTHEW
How many?! We're on our way! Hold them off!
CUT TO:
INT. STORE - DAY
Mark (dead), with a bullet wound to his chest. Greg crying next to him. Michael ducked down, by the counter. He rises and fires a few shots, before going back down. He speaks on radio.
MICHAEL
(into radio)
ETA?
MATTHEW
(over radio)
Five minutes!
A bunch of shots fired into store, from outside...
MICHAEL
(into radio)
Thinking a run for it, is my only option, here!
MATTHEW
(over radio)
Yeah, do it! Stay close to the road, where you can
hear me driving. But kill the brothers, we can't
have them showing up at the cabin.
Michael begins to move, but more shots are fired inside. He waits it out, before firing a few shots back. He comes around counter, again ducking, and waiting out a few more shots. He moves toward Mark and Greg, looking toward them (once able to).
His POV of Mark (now a huff), and Greg, bloody and completely lifeless. Mark is trying to bite him, but out of reach. Greg shows no fear, or signs of life, as Michael moves toward backroom.
Cut to Michael jumping out window, from back of store, running toward brush. He begins being fired at, but not hit. He disappears into brush. Few more shots fired.
POV Tan and two other guys, slowly approaching store. One of them shoots Vincent, in head. They cautiously come to door, and enter store.
CUT TO:
INT. CAR - DAY
Matthew speeding mountain road. Tina crying.
MATTHEW
Why the hell are you crying?!
TINA
I'm worried about our brother!
MATTHEW
He's a survivor...
Suddenly, they see Michael running out from the trees, raising his arms to get their attention, as Matthew breaks. Michael runs right over, jumping in.
MATTHEW
What happened?!
MICHAEL
The owners came back. With backup. (shaking head)
At least a half dozen guys, all with guns. I didn't even
have to shoot the brothers, they were already dead.
Matthew instantly worried.
MATTHEW
What?! Are you sure?!
Tina a hopeful look at Michael (hoping he's not sure).
MICHAEL
The younger one was already turned. His brother
was shot dead.
Tina disappointed. Matthew begins turning the car around, hesitates, and finally goes on, toward the store. He drives around corner of road, with store coming into view. He speeds up to it, skidding out, and waiting...
MICHAEL
What the hell are you doing?!
Matthew simply staring toward store. Tina too. No one is coming out.
MICHAEL
It's time to jump ship, little brother...
Matthew contemplates a few moments longer, simply staring, before speeding off, and away...
CUT TO:
INT. TRAIL BLAZER FAN HOUSE - DAY
Matthew walking in, followed by Michael and Tina. Matthew is pissed, kicking a box of supplies. Tina heads for bedroom.
MATTHEW
Where the hell you going?
TINA
I need some sleep.
MATTHEW
You can sleep after we get up to the lake. Now start
packing the car, so we can get there, already.
TINA
(picking up a box)
Sorry, figured you were going to throw one of your
temper tantrums.
Without hesitation, Matthew punches Tina in the face (with a closed fist), causing her to drop the box and fall to the floor. Mathew picks up a couple boxes, and heads out.
MATTHEW
Now pick that crap up, and get it packed.
Tina lays there, silently weeping...
CUT TO:
EXT. TREE HOUSE - DAY
Matthew throwing down binoculars (as Michael picks them up), pacing back away (from where they're hiding in brush), and shouting the "loudest", silent F-bomb, there ever was. He basically throws a tantrum, without making any noise. Tina (with black eye) watches. Michael uses binoculars.
His POV of Scott, Rhett, and Eli, all carrying supplies, up into the tree house.
MATTHEW
We're totally effed!
MICHAEL
No, I don't think it's her family. They're carrying
supplies to the tree house. They're not going anywhere.
TINA
Maybe they had more family, meeting them here,
like Greg and his brother were?
MATTHEW
Why wouldn't they use his car, to go to the mighty
compound? Assuming they got here somehow
without their own vehicle, which I don't...
MICHAEL
I don't see the kid. Just an older dude and a couple.
TINA
They killed her.
MATTHEW
Why would they kill her?
MICHAEL
She's probably up there somewhere, in shock. Whether
these new people know who she is, or who her family is,
they're probably taking advantage of the tree house.
MATTHEW
Can't shoot em', that won't make us look like heroes.
We could send Trail Blazer in there, after em'. Never
know, could get lucky.
TINA
What if he gets the girl?
MATTHEW
Or unlucky.
MICHAEL
Can't afford to be unlucky, not with the girl.
She's the only ticket we have left.
Silence a moment. Tina looks like she's falling asleep...
MATTHEW
We're just gonna' have to keep an eye on these
people. Until we can make something happen.
Dissolve to Michael and Tina both crashed out in the car...
Cut to Matthew using binoculars, to watch tree house. His POV, of Scott and Rhett carrying off a huff (the one Sam shot in EP-2). Matthew looks up toward tree house, unable to find anyone. He moves over toward cabin, and all around, without finding anyone else. He moves back to Scott and Rhett, who dump body next to brushy area, and head back toward tree house. Again, Matthew moves to tree house, slowly scanning over it. He stops, when he sees Eli, walking out of boys room, toward bathroom (much smaller than other rooms). He goes inside...
POV Matthew, speaking to himself.
MATTHEW
What is that, a freaking outhouse, or something,
they got up there?
Binocular POV of bathroom. He moves slowly over the other rooms, and down the ladder, where Scott and Rhett go to pick up Fish, and begin carrying him away.
Suddenly Sam can be heard crying out above, and hustling to the ladder.
SAM
DADDY! (climbing down)
POV Matthew, coming out of binoculars, with a smile, and again speaking to himself.
MATTHEW
There you are...
Looking back through binoculars. Binocular POV of Sam, arriving at Scott and Rhett.
SAM
You put him down!
Sam simply sitting down on the ground, weeping. Scott motions for Rhett to place Fish's body down.
POV Matthew, on binoculars. He turns back with a thought. He looks again through binoculars, a few moments. He then rises and walks away...
Dissolve to close-up of Sam, as a tear runs down her face, panning back to her sitting there, looking down on her dad...
CUT TO:
Matthew holding leash, and jogging ahead of Trail blazer huff (to avoid being caught), as he leads him along...
CUT TO:
Close-up of Eli, lying in bed, of tree house "boys" bedroom, as a tear runs down his face, panning back to him on his phone, looking at pictures of his folks...
CUT TO:
Matthew, pushing huff down into brush, and quickly speeding away, around corner, before huff can see him...
CUT TO:
Close-up of Amy (teary-eyed), panning back to her view below, of Sam sitting next to Fish...
CUT TO:
Matthew watching (from around corner), as Trail Blazer huff gives up on finding him, after he sees (through the brush) Scott, at the tree house ladder.
Cut to close-up of Scott, watching Sam.
Cut to Matthew, arriving around another corner, quickly watching with binoculars.
Binocular POV of Scott, as huff reaches out of brush, placing hands through ladder, and around Scott's neck (to his shock/surprise).
Cut to Matthew smiling, as he watches.
MATTHEW
Go Trail Blazer!
Binocular POV of Amy and Eli, from tree house, watching in horror...
POV Matthew, watching as his smile fades away...
MATTHEW
God damn it...Fail Blazer!
Binocular POV of Rhett, arriving at the scene.
RHETT
Don't shoot it! Don't shoot it! Back away!
MATTHEW
(OS)
Who is this Jackass?
DISSOLVE TO:
Matthew looking through binoculars, coming out, stretching his neck for a moment, before looking back in binoculars.
Binocular POV of Rhett, pulling huff's head out of lake water.
RHETT
This is it. This is hell on earth. (looking right at his
brother) No need to continue mourning Mom and
Dad, little brother. We'll be joining them, very shortly...
Rhett walking out of water with huff head, placing it down while picking up axe, chopping it right into the head.
Cut to Matthew, coming out of binoculars, laughing.
MATTHEW
Holy shit, I love this dude!
CUT TO:
INT. CAR - DAY
Tina asleep in backseat. Someone opens door, climbing in driver's side, and starting engine. Driving off, as Tina remains passed out, in backseat. Michael waking from passenger seat, with a look over at Matthew...
MATTHEW
Looks like we'll have to shack up at Trail Blazer's
place, for a day or two, until we can come up with
a plan B...or is it now plan C?
MICHAEL
From scratch, or do you have an idea of what you
want to do?
MATTHEW
I'm shootin' blanks... Maybe go in at dark, and take
em' all out?
MICHAEL
Way too risky...
MATTHEW
Go back to plan A? Send Tina in as planned?
MICHAEL
Why not all of us?
MATTHEW
They'd be too intimidated to take us in... I don't
know, let me study them for a day or two. See
what kind of people they are...
CUT TO:
EXT. FISH'S GRAVE - MORNING (day 3)
Matt hiding in brush (close-by), and watching Sam, at her dad's grave...
SAM
I had a dream about Jax and August. It was wonderful...
until it became a nightmare. I feel so guilty for missing
them, the way I do. How could I miss them, after what
happened to you? But it helps. Missing them, wanting
to get back to them...it helps me not hurt so much,
when I think about you...and Dad, I just can't stop
thinking about you. (tears)
Matthew leaving brush, to hide elsewhere, with a smile.
MATTHEW
Helps to miss Jax and August, eh? I think I can do
something with that bit of information.
CUT TO:
EXT. LAKE - DAY (day 4)
Matthew in brush, looking outward. Sound of Jax, Eli, and Sam, swimming...
Matt's POV of them swimming, as huff Frank, surfaces, in front of them.
MATTHEW
(not speaking loud enough to be heard)
Oh, my holy hell! Get out of there, sis! Get the kid, out!
DISSOLVE TO: PRESENT TIME
EXT. BRUSH - EVENING
Jax in brush (still dirty/wet), holding radio.
MATTHEW
(over radio)
About time! Why didn't you check in last night?
JAX
(into radio)
I couldn't. The older guy sleeps during the day,
and keeps watch all night.
MATTHEW
(over radio)
I saw your close call in the lake, yesterday.
JAX
(into radio)
That was a God damn nightmare! I'm sure you
were plenty amused.
MATTHEW
(over radio)
Anything interesting to report?
JAX
(into radio)
Not really. The compound is huge and the
people...well, let's just say, I'm curious to
know how you plan to fit in with them.
MATTHEW
(over radio)
Same way you do, sis. Act...
JAX
(into radio)
Good luck with that.
MATTHEW
(over radio)
It'll be easy at the compound, but for now, I'll stay
here. Although I like Rhett, he seems paranoid, he
and his annoying wife. Scott would smell my shit a
mile away. These people wouldn't accept me. Me
or Michael.
JAX
(into radio)
So, what do you wanna' do?
MATTHEW
(over radio)
Keep the radio close enough to reach us, if the
family arrives. When you guys leave, and see us
"broken" down on the road, you tell them it's
your brothers...and to the compound, we all go.
JAX
(into radio)
Michael's okay with this plan?
MATTHEW
(over radio)
Are you purposely trying to agitate me?
Jax waiting, as she thought he'd go on to say more...
JAX
(into radio)
No...I just want to make sure the two of you
aren't arguing.
MATTHEW
(over radio)
Worry about Tina, or Jax, whoever you are.
JAX
(into radio)
Jax, has already done her job, here. Yesterday's
Camp Crystal lake moment, has actually played
to an advantage. The pregnant one is now scared
and bitchy, leaving me as the fun one, to keep the
kid's hopes up.
Jax waits, but no response from Matthew...
JAX
(into radio)
Matthew? (waiting, still no response) Matthew!?
MATTHEW
(over radio)
Oh sorry, you kinda' put me to sleep there for a
moment. (Jax rolling eyes) Just keep that radio
close, and let us know if they show up. I'll be there
watching most of the time, though. Kind of becoming
addicted. Little too much drama there at first, but
that lake scene was pretty badass. Oh my God, and
earlier today when their father showed up! Wow...
you couldn't write this stuff...
JAX
(into radio)
God, you were here then, too? Creepy stalker, much?
MATTHEW
(over radio)
Told ya', I'm addicted. Matthew out. Watch ya later...
Jax shaking her head, then putting radio back in bag, and hiding it behind a log. She pulls out a gun, from hiding place. She checks the ammo, and places gun in her pants, taking with her...
CUT TO:
EXT. FISH'S PORCH - EVENING
Amy, Rhett and Scott, all on porch. Amy looking disappointed.
AMY
They just drove on? Without even a word?
SCOTT
Heard them mention we weren't infected...
or dead...yet
RHETT
So, that's why they raised their guns at first?
SCOTT
They didn't drop them until they were by us.
They considered us a threat, regardless of
being dead or alive.
AMY
So, that's that. We're on our own...
SCOTT
I think it's time we at least plan on it being that
way. And not just on our own, but...things...they
really will get worse. We have to get creative,
and plan how to survive here, until Sam's family
can make it.
AMY
Let's just - (interrupted)
SCOTT
(shaking head)
No. (still shaking) Leaving to get to them, is not
an option. You've heard her talk about that place,
and those people. They will not give up on getting
to us, and if it's taking them this long to do it, then
what are our chances?
Silence…
DISSOLVE TO:
INT. GIRL'S ROOM - EVENING
Close-up of framed family photo, panning back to Sam, as she brushes her hair, while looking at the picture. Jax walks in (still dirty/wet)...
SAM
Where were you?
JAX
Walking around, looking for more potential pit
locations. Scott wants to come up with any ways
we can, to prepare for what's coming.
Jax slyly places her gun in her bag, while Sam is focused on her photo. Eli can be seen approaching, from boys room. Jax (her back to Eli) takes her shirt off, as Eli instantly turns around, walking back the way he came from. Jax throws on a clean/dry shirt
JAX
I know your family will make it eventually, but
until then, Scott is right. We need to be smart,
like that family of yours.
SAM
I agree...but they will be here, soon.
Sam keeps looking at photo, while Jax continues to change. Once done, she comes over, sitting next to Sam, and looking at the photo with her.
JAX
So, which one of these nice-looking cousins of
yours, are single?
Sam smiling. Jax placing her finger over the photo.
JAX
(finger on Zane)
Zane is definitely a hunk, but (moving finger over
Greg) Greg is just so darn nice to look at.
Sam rising from bed, as Jax gets lost in the picture. She is almost emotional, at the thought of Greg. Sam in background, is moving toward corner (toward boxes of supplies). Jax continues to look at the photo...
JAX
This one right here, looks my age. I don't see
a girlfriend in the picture.
Jax holds photo up, while pointing to him, before looking up at Sam, who is now standing in front of her, at the door, holding a gun right back at her.
JAX
(with a laugh)
Sam? What are you doing?
Sam (with a very serious expression) takes one step back, and fires a single shot, up into the sky, and immediately aims gun right back at Jax...who now looks extremely shocked/frightened...
BLACK
CREDITS
THE END