EXT. HILLDALE CAL. - Oct 27 1985 - .

EXT. EASTWOOD RAVINE RAILROAD TACK. JEFFERSON. HOLMES. FORENSICS.

Eastwood Ravine Railroad crossing is blocked off by police officers, Jefferson

and Holmes, who have been ordered over to the Estate, following the Doc Brown

incident at the Hill Valley Town Square.

Forensics are gathering evidence from the wrecked Delorean Time Machine, which

was destroyed towards the end of Part III.

THE FLUXICIPACITOR AND TIME CIRCUITS ARE SEEN BEING PLACED INSIDE A BAG.

EXT. AGENTS SHORTON. GRAHAM.

Agents Shorton and Graham have now been called in by Sanders and Nichols

who are still at Hill Valley Town Square.

A forensic operative dressed in a contamination suit, walks over to

Shorton, while Graham questions witnesses about the incident.

The Forensic shows Shorton the bag, which has the damaged Fluxcipacitor in it.

Shorton finds it odd.

SHORTON

What the hell is that?

(eyebrow raise)

FORENSIC

Some sort of Y display.

SHORTON

Why is it so important?

FORENSIC

That's what we're gonna find out.

A second forensic approaches his colleague and Shorton.

This time showing the damaged Time Circuit Board.

Shorton Acknowledges, lighting a cigarette.

SHORTON

What do we have here?

FORENSIC 2.

Some sort of circuit board.

Shorton pulls a face, not making any sense

of it.

SHORTON

Odd.

Graham hurries over to Shorton, with a clear bag in hand, with

something of interest inside it.

GRAHAM

Shorton? I think you should look at this.

Graham shows his Partner the bag.

Inside is the 'OUTATIME PLATE' which fell off

the Alternate Doc's Time Machine, when he took

Biff back to 'November 12th 1955, hours earlier.

Shorton takes hold of it.

SHORTON

Outatime?

'But I'm outta my head when you're not around.'

(joking, renitioning 'Hall and Oates' song)

What does it mean?

Graham glances at the forensic and smiles a little

finding Shortons brief comic outburst amusing.

GRAHAM

Earlier reports, suggest, that this plate is similar to one found at the Lone Pine Shopping Mall, on Satuday morning, where the Libyans were captured.

(to Shorton)

Bit of a coincidence in statements, suggesting a Sports Car involving a teenager connected to Doc, was involved. With this incident, having claims of a teenager dressed as a cowboy being at the scene of this destruction of a vehicle similar to one owned possibly by Doctor Emmett Brown.

Parallel if you ask me.

Shorton takes a prolonged look at the 'Outatime Plate.'

GRAHAM

The deceased Scientist has left behind a huge secret.

Shorton shrugs, puffing on his cigarette.

Suddenly, the FBI car phone is heard ringing. Shorton glances

for a moment, then heads over to the vehicle with the 'Outatime'

evidence still in hand.

INT. FBI CAR. SHORTON

Shorton gets into the drivers side of the car and picks up the reciever.

SHORTON

Yeah?

Sanders voice is then heard.

SANDERS (O.S.)

Got an update for me?

Shorton looks at the concealed 'OutaTime.'

He pauses, still unsure what to make of the

investigation.

SHORTON

Sort of.

(confused)

This Doctor Brown sounded like a complete oddball though. The vehicle in question was found to have had some sort of weird electronics inside. God knows what he was doing to it. And a number plate, similar to what local authorities found at the local shopping mall, was found by a few blocks away, here at Hill Dale. I don't know, in my opnion, I think he was using multiple Deloreans..for something.

SANDERS (O.S.)

What about this other person, in a cowboy outfit, who jumped out of the car, before it was hit by the San Francisco Freight Train?

SHORTON

Graham from questioning witnesses, who were waiting at the crossing, said it looked like a teenaged boy. Why do you have suspicions?

EXT. HILL VALLEY COURTHOUSE.

Evidence is still being gathered, following Evil Doc's Death.

INT. FBI CAR. SANDERS. NICHOLS.

Sanders is speaking to Shorton on the car phone.

SANDERS

Maybe. Do what you can. We'll discuss the case back at base. There's somewhere where I may find the answers. Laters.

Sanders hangs up the reciever and stares out the window

with a suspicous mind.

Nichols wonders what he could be thinking?

NICHOLS

Any incline, what this mad Doctor was up to?

SANDERS

Hard to tell, but I think we should pay this Marty Mcfly a visit.

NICHOLS

That's if he's still alive, following that supposed shootout at the Mall.

SANDERS

We'll see.

Sanders starts the car and releases

the hand brake.

EXT. FBI CAR.

The FBI car with Sanders and Nichols inside is seen heading off

to Lyons Estate.

EXT. HILL VALLEY SUBURBS.

INT. TANNEN GARAGE. BIFF TANNEN. DOUGLAS NEEDLES.

Biff turns off the radio, following a sporting event, proving the results in the

book were true. Needles is astonished by the revelations.

Needles laughs out loudly in excitement and claps his hands.

Biff, grssping the book, is happy with himself, that he's actually proven he was given a fortune.

BIFF

See. I told you I was telling the truth.

(tapping Needles on the shoulder)

NEEDLES

We're gonna make a fortune on this book.

Biff points his finger at Needles, seriously.

BIFF

But, you had better keep this to yourself for a while. I can't afford to have this taken away from me a second time.

Needles holds his hand up assurance.

NEEDLES

You got my back partner.

BIFF

Just make sure, you treat my daughter with more respect now. I don't care how you wanna treat Jennifer Parker.

NEEDLES

And you can get Lorraine back now.

Biff shrugs.

BIFF

We'll see. George Mcfly won't be so easy, now he's got his first novel published.

INT. TIFFANY TANNEN.

Tiffany then abruptly appears from the from outside,

catching Biff and Needles off guard. Biff disguards the

Alamanac by throwing it onto a work bench. Tiffany is

not to pleased, that her own father is being too kind to a

man, that attacked her. She then smugly looks at Needles bruised eye.

Needles fains feel sorry for his assault on Tiffany.

TIFFANY

Don't look at me with those puppy dog eyes. You deserved what you got.

Needles approaches Tiffany, cautiously and pretending to

be regretful for his actions.

NEEDLES

Aw, babes. Please forgive me. I don't know what came over me.

Tiffany laughs off his pathetic apology, shaking her head

in denial.

TIFFANY

Oh, please. You sound like my father.

(to Needles)

Isn't that right Dad?

(sarcastically to Biff)

Biff frowns.

BIFF

Wash your mouth out young lady. Needles is trying to make an effort.

TIFFANY

Oh, it's gonna have to take more than

"I don't know what came over me."

(then she turns to Needles)

Give me a call, when you've found religion or something.

Tiffany heads back towards inside the house, when Needles rushes after her

grabbing her arm aggressively. Tiffany feels hurt.

TIFFANY

Ow, you Bastard, what's wrong with you?

NEEDLES

Who was the asshole, that snuck up on me?

TIFFANY

I don't know, he didn't exactly hang around.

Biff exits the garage, witnessing the altercation.

Tiffany spots her Dad.

TIFFANY

Dad, get this creepo off me.

Biff shrugs.

BIFF

You need to learn to forgive and forget young lady.

Tiffany pulls a face in disgust.

TIFFANY

Mom may have been able to forgive you for lusting over Lorraine Baines Mcfly like..forever.

But, I'm not so keen on sharing him with Mcfly's girl...like I hadn't noticed.

WITHOUT HESITATION, TIFFANY KNEES NEEDLES IN THE GROIN AND MAKES A

RUN FOR IT, BACK INTO THE HOUSE. BIFF IS ENRAGED AND STORMS INSIDE AFTER

HIS DAUGHTER, LEAVING NEEDLES HUMILIATED ONCE AGAIN.

EXT. JULES BROWN.

Then out of nowhere, Time Traveller, Jules Brown, son of Doc,

appears dressed as a Sales Person, wearing glasses and a Modern

Nineteen Eighties Suit. He is also carrying a clipboard.

It's a perfect disguise.

He casualy approaches a disgruntled Needles in agony.

JULES

Excuse me, young man, do you live here?

It takes a moment for Needles to acknowledge the fake

Salesman, before he gets to his feet, still clutching his groin.

NEEDLES

Who wants to know?

Jules holds out his hand for a handshake.

JULES

I am Edgar Marks.

(lying)

INT. TIFFANY'S ROOM.

Tiffany rushes into her room and locks it. Leaving Biff outside

banging on the door.

BIFF

You can't hide in there forever!

Tiffany turns around and her heart drops,

when she discovers Carlos is not present.

She looks inside her wardrobe and then under

her bed, getting very anxious.

EXT. TANNEN HOUSEHOLD. BIFF.

Biff returns to find Jules as a Fake Salesman, Edgar Marks,

tending to a tender Needles. Biff pulls an annoyed face, when

he suspects a usual sales call. Jules straightens his glasses.

Needles stretches his groin.

BIFF

Yeah, who are you?

Jules puts his hand out for a handshake.

JULES

Edgar Marks.

Biff reluctantly shakes his hand.

BIFF

Listen if you're selling anything, I'm not interested.

Biff points for Needles to follow him inside the house.

BIFF

C'mon in. That daughter of mine, can't hide forever.

Jules distracts Biff and Needles one more time,

holding his suitcase, by hurrying behind them.

JULES

But, what I'm selling, you may be familiarized with.

Biff stops to Jules claims and glances at Needles. Needles shrugs.

Biff walks up to Jules, with his hands on his hips.

BIFF

Alright you got five minutes.

Jules kneels down and unlocks the suitcase and opens it up.

What's inside shocks both Biff and Needles.

IT'S THE GRAYS SPORTS ALMANAC THAT WAS GIVEN TO JULES BY JENNIFER IN 2015-A.

Jules hold it up. Biff is bewildered at the what is shown in front of him. It's a replicant of what was given

to him in 1955 and now in 1985.

BIFF

OK, Butthead, what's the Gag? Who gave you that?

JULES

That's confidential. But, I think you'll find the contents very much for your benefit.

Needles points at the book, finding it similiar

to the Almanac in Biff's garage.

NEEDLES

That's the book, the same one, Doc...

Biff elbows Needles in the gut and winds him slightly.

Biff is obviously trying not to let the cat out of the bag.

BIFF

Oh I'm sure it will be.

(reaching out for the book)

Jules abruptly pulls the Almanac back, sensing that

Biff wants it desperately, even though he already has a similar

book in his garage.

Biff feels he's being tormented by the strange visitor and gives him

look of disgust. Jules ajusts his glasses.

JULES

If you don't mind, could we sign the nescessary paper work inside?

BIFF

Paper work?

JULES

It's policy.

Biff gets suspicious of Jules, as he senses he's not being at all honest.

BIFF GRABS JULES BY HIS TIE. JULES HOLDS HIS NERVE.

BIFF IS FURIOUS!

BIFF

What's the policy for assaulting a terrible liar?

Needles laps it up and clapping and cheering Biff on.

NEEDLES

Yeah go on Biff, teach him a lesson.

Jules is vulnerable, as Biff eyeballs him, aggressively, creesing his suit.

Biff is turning red in the face.

JULES

I take it you're turning my offer down.

BIFF

Who sent you?

Jules now worries the mission has gone sour. He now is on the edge

of feeling Biff's wrath.

JULES

I don't know.

BIFF DROPS JULES, THEN PUNCHES HIM IN THE STOMACH.

JULES FALLS TO THE FLOOR IN AGONY

BIFF

WAS IT CALVIN KLEIN?! WAS IT MCFLY'S KID?!

BIFF THEN KICKS JULES IN THE GUT, IN WHICH JULES CURLS OVER.

BIFF

I WON'T MAKE THE SAME MISTAKE TWICE! YOU HERE ME?!

SUDDENLY, IN THE BACKGROUND AN ENGINE CAN BE HEARD REVVING UP.

THIS GRABS BOTH BIFFS AND NEEDLES ATTENTION.

EXT. RED 4X4.

NEEDLES 4X4 COMES TEARING OUT OF THE TANNEN GARAGE.

INT. TIFFANY TANNEN.

IT'S BIFF'S DAUGHTER BEHIND THE WHEEL.

EXT. RED 4X4.

THE 4X4 IS THEN SEEN SMASHING BIFF'S AUTO TRUCK OUT OF THE WAY. FRAGMENTS FLY EVERYWHERE.

EXT. MARTHA TANNEN.

TIFFANY COMES RUSHING OUT OF THE HOUSE AND PUTS HER HANDS TO HER HEAD IN DISBELIEF.

EXT. BIFF.

BIFF IS ANGERED BY HIS DAUGHTERS ACTIONS! HE CLENCHES HIS FISTS, WATCHING HIS DAUGHTER

SCREECH OFF DOWN THE STREET.

BIFF

TIFFANY!

NEEDLES RUSHES BESIDE BIFF.

NEEDLES

We gotta stop her. She'll total my truck.

Biff takes a moment to think, before he retreats to the Garage.

HE IS HORRIFIED TO FIND THE GRAYS SPORTS ALMANAC MISSING!

BIFF

THE ALMANAC! THE LITTLE BITCH HAS TAKEN IT!

An assaulted, Jules on the ground, has heard Biff's curse.

Biff looks up the street and spots a convertable driving down the suburbs.

With a second thought, he hurries into the road and forces the male driver

of the car to stop. In the back seats, are two ladies, aged about 21.

The male driver is pissed.

DRIVER

What do you think you're doing man? You can't...

Biff opens the door and throws the driver out of his car.

The two women scream a little.

Biff jumps into the drivers seat, as Needles jumps into the passenger seat.

Biff hits the accelerator and chases after his daughter, even with the two

females still sat in the back seats.

The driver of the car, gets to his feet, holding his arm, possibly sprained it.

Jules gets up off the floor, clutching his gut.

JULES

Great Scott. Another delay.

EXT. HILL VALLEY.

INT. DMC DELOREAN. DOC BROWN.

Doc Brown of 1985, takes time to consider his future selfs letter.

He feels that there must be another solution to solve the 2045 Holocaust, judging

by the letter. Doc 1985, cannot allow a paradox occur, considering, the Almanac

scenario could have already caused the Paradox, that would have already affected

events that should happen in PARTS II/III.

Doc knows what he has to do. He places the letter inside his Radiation Suit and taps

in the date. "Friday July 4 1997. 07:00. A.M."

EXT. HILL VALLEY.

INT RED 4X4. TIFFANY TANNEN

Tiffany is racing through Hill Valley in a rage. She wants to hurt Douglas

for how he's treated her. And for how her own father, has been ignoring her cries

for compassion. She hits the steering wheel in frustration and tears fall down her face.

During her somber moment, something catches her eye.

EXT. CARLOS GEORGE MCFLY.

Carlos is seen hiding in the back, as he holds onto a metal bar, that connects the

front of the truck to the back. Tiffany finds his amazed to find, he managed to

sneak out of the house, unoticed, even though she managed to slip her father and Needles.

TIFFANY

Hey, what are you doing?

Carlos pulls himself alongside the truck and in through the passenger window

and alongside Tiffany.

CARLOS

Sorry to drop in like this.

(with the Almanac in hand).

Tiffany shakes her head.

TIFFANY

You are so brave there Justin. My Dad would have killed you if he'd had got his hands on you.

CARLOS

He seemed pre-occupied ruffing somebody else back there.

Tiffany spots the Almanac in Carlos possession.

TIFFANY

What's that?

CARLOS

This will soon be history. You got a light?

EXT. DELGADO ABANDONED RAILWAY. POLICE CAR.

A Police Car is seen pulling up alongside the spot, where nthe Time Train was

when Dixon and Harry were scared off, by Jules and Verne disguised as Aliens.

EXT. POLICE OFFICER. DIXON. HARRY.

The officer, along with Dixon and Harry exit the vehicle. Dixon and Harry are

dumfounded to discover the Train is GONE. Harry stands embarrassed, as Dixon

rushes to the old train line, now humiliated. The officer is not amused, that Dixon

and Harry have wasted his time.

POLICE OFFICER

So, where's this Alien Train?

Dixon lost for words, looks around the spot like a

complete mad man. It looks like whoever was in the train

had given them the slip. Dixon panics.

DIXON

I swear to you officer. That Train was right here.

HARRY

It's true, sir

(to the police officer)

We saw it. They tried shooting us with Ray Guns. I swear it was two aliens disguised as two men.

The officer shakes his head, pulling a face, much to say

"you're nuts."

POLICE OFFICER

What? You two are crazy.

Dixon rushes to the Officer, pleading, pointing to

the empty track.

DIXON

That train was there. It appeared out of thin air on the railroad track. Just like we saw Doc Brown appear twice out of thin air at the Mall. Second time he had two males with him. Do you know what this means?

The officer momentarily pauses and raises his eyebrow

worried on what nonsense will come out of his mouth next.

POLICE OFFICER

What?

DIXON

Brown was working with Aliens to fight against Terrorism.

HARRY

That's a first. About three hours ago, you had him down as public enemy number one.

(to Dixon)

POLICE OFFICER

That's true. Also what's true, is that you two need psychiatric help.

Both Dixon and Harry shake their heads in denial. They know what they saw.

But, the Police Officer is adament.

DIXON

No, no, no.

(running to the officer)

I'm teling you it was here.

HARRY

Yes, Officer, we're not crazy. We saw it.

Dixon drops to his knees and begs, graspig his hands together.

DIXON

Please, you gotta believe us! It was here!

The Police Officer looks to the sky, not believing what he's hearing.

But, then it seems he's reluctant to listen. He laughs a little at the

ridiculous claims.

POLICE OFFICER

Alright, alright.

(putting his hand out - calming)

The two of you. If you both come to the station with me. You can tell your story to my further superior.

Dixon gets up and claps his hands in relief.

DIXON

Alright!

Harry taps the Officer on the shoulder, as a thank you gesture.

HARRY

You won't regret this man.

Dixon and Harry high five and jump into the backseat of the car, leaving the

Police Officer bewildered, by such insane behaviour from two middle aged men.

He walks around the patrol car at a slow pace. It seems his reluctnace to listen,

will be Dixon and Harry's big mistake.

POLICE OFFICER

Looks, like destination Hill Valley Mental Hospital.

(to himself)

EXT. HILL VALLEY. RED 4X4.

INT. CARLOS. TIFFANY.

Tiffany hands Carlos the lighter as she drives erratically.

Carlos knows once he's burnt the Almanac, the future is saved.

Tiffany spots the tital of the book.

TIFFANY

Grays Sports Almanac?

(curious)

Carlos looks momentarily at the the book, sensing victory.

As Carlos is about to burn the book, Tiffany spots her father Biff and somewhat abusive boyfriend

in the rear view mirror in hot pursuit in a convertable, with two unknown females in the back.

Tiffany looks round to be sure and her hunch was right.

TIFFANY

Oh my God, Dad's coming after me.

Distracted from his mission, Carlos looks round and sees the Convertable getting close.

EXT. BIFF. NEEDLES. TWO FEMALES. CONVERTABLE.

Biff erratic driving, as the two females falling all over the back seats. Needles recognizes his 4x4, pointing.

NEEDLES

Biff, there!

BIFF

I know I know. I see her.

INT. TIFFANY. CARLOS.

Carlos senses now is the time, before they catch up. He tries to light the lighter,

but the wind from outside keeps it from lighting up. This frustrates Carlos, as he

puts it closer to the Almanac.

SUDDENLY A CAR PULLS OUT IN FRONT OF TIFFANY, AND SHE SWERVES WITH FORCE TO VOID IT.

TIFFANY

WOOO!

(scream)

THE FORCE OF THE SWERVE, LOSENS CARLOS GRIP ON THE ALMANAC AND IT FLIES OUT THE WINDOW.

CARLOS PANICS.

CARLOS

HOLY SHIT!

THE ALMANAC LANDS ON THE BACK OF NEEDLES TRUCK. NEEDLES LOOKS IN THE MIRROR AND

SEES IT LOOSE ON THE EDGE OF THE TRUCK. HE GLANCES IN THE REAR MIRROR AND SEES

BIFF AND NEEDLES GETTING CLOSER. HE HAS TO ACT FAST.

CARLOS

I need to get that book, before your old man gets his hands on it.

TIFFANY

What's so important about that book?

CARLOS

My mothers fate depends on that book being destroyed.

TIFFANY

What?

(frowning)

CARLOS

Never mind. Keep driving.

EXT. BIFF. NEEDLES.

Needles points to the Almanac, he sees latched onto the side of his 4x4.

NEEDLES

Look!

Biff's eyes light up, when he sees his potential future before his eyes.

BIFF

We need to get that book back.

The two females in the back of the convertable, continue to cling on for dear life.

EXT. CARLOS.

Carlos starts pulling himself out of the passenger side window, whilst the truck speeds on.

EXT. NEEDLES

Needles is stunned to find a male stranger appear from the passenger window. He is not too pleased.

NEEDLES

What the...?

EXT. BIFF.

Biff leans forward to get a better a look at the man, pulling himself out of the passenger side of Needles 4x4.

BIFF

Who's that Butthead, with my daughter?

NEEDLES

Probably the same asshole, that knocked me out. He's gonna regret that.

EXT. ALMANAC CLOSE UP.

EXT. BIFF.

Biff senses that Carlos is eager to get his hands on the Almanac.

BIFF

He's gonna get the book.

(pointing- anxiously)

NEEDLES

Relax. I'll get it. Get closer.

BIFF

I'll try, but she's all over the place.

Biff hits the accelerator harder and gains on Tiffany and Carlos.

EXT. CARLOS

Carlos pulls himself in between the front door of the truck and the back and tries reaching out to the book, while

trying not to fall from the truck at the same time. The Almanac in the wind flicks pages, still on the edge.

Carlos looks up and spots Needles ready to jump onto the truck. Carlos desperately extends his arm ever further,

but then the book blows in.

EXT. NEEDLES

NEEDLES SEES AN OPPORTUNITY. CARLOS MANAGES TO PULL HIMSELF INTO THE BACK AND GRABS THE BOOK.

JUST AS HE DOES, NEEDLES JUMPS ON HIM AND KNEES HIM IN THE FACE.

THE ALMANAC FALLS TO THE GROUND. CARLOS AND NEEDLES THEN START FIGHTING OVER THE BOOK.

NEEDLES PUNCHES CARLOS IN THE STOMACH, CARLOS BLOCKS A SECOND PUNCH, THEN CARLOS BLOCKS

A SECOND PUNCH AND DOUBLE PUNCHES NEEDLES, WHO STUMBLES.

CARLOS GRABS THE BOOK AGAIN AND THE TWO MEN SCUFFLE. NEEDLES THROWS CARLOS ON THE GROUND

AND GRABS THE LOOSE TREASURE. HE TURNS TO THE CONVERTABLE.

BIFF URGES NEEDLES TO THROW IT.

BIFF

Cmon, throw it. Quick!

CARLOS THWARTS HIM BY KICKING OUT AT HIS LEG, AS TIFFANY CONTINUES TO SWERVE THE VAN FROM SIDE TO SIDE.

EXT. PATROL CAR.

INT. DIXON. HARRY. POLICE OFFICER

They are waiting at a crossroads, when Dixon suspects they are heading in another direction, away from

the Police Station. He looks to the officer, through the metal cage, blocking the back from the front.

DIXON

Hey, officer, are you sure this is the right way to the Station? I seem to recall it being the other end of town.

HARRY

A familiar stomping ground is it Dix?

(sarcastic)

Dixon ignores Harry's quirky remark and pursues getting answers

from a lost patience officer.

DIXON

Are gonna help us or not?

The police Officer smiles gleefully, knowing full well he's not taking them to the Police Station.

POLICE OFFICER

You're need all the help you can g...

Suddenly, Needles 4x4 and the stolen Convertable speeds past the Police Car at high speeds and

all over the road. The Law Enforcer is gobsmacked by how dangerous the two vehicles are driving

down the road.

POLICE OFFICER

Well, I'll soon put a stop to these joyriders.

(to himself)

Dixon and Harry nervously look at one another.

POLICE OFFICER

Buckle up Alien Busters.

(to Dixon and Needles)

The police officer releases the handbrake and chases after Tiffany/Carlos, Biff/Needles.

Police Sirens are sounded.

EXT. CARLOS. NEEDLES.

THE FIGHT CONTINUES BETWEEN CARLOS AND NEEDLES FOR THE RIGHT TO THE ALMANAC.

THE TWO STANDING AND BRUISED, PULL ON THE BOOK AND NEEDLES EYES BEGIN TO TURN

RED WITH FURY.

NEEDLES

LET IT GO!

CAMERA CLOSE UP OF CARLOS.

CARLOS REFUSES TO BUCKLE UNDER THE PRESSURE AND SHAKES HIS HEAD.

IT'S TIME TO TAKE NEEDLES DOWN!

CARLOS

This is for my Mother asshole.

THEN CARLOS KNEES NEEDLES IN THE GROIN AND KICKS HIM BACKWARDS AND HE LANDS ON THE HOOD OF THE CONVERTABLE , CRACKING THE WIND SHIELD AND BLOCKING BIFF'S VIEW OF THE ROAD.

CARLOS BREATHES A SIGH OF RELIEF AND HE TAKES OUT THE LIGHTER AND BURNS STARTS BURNING THE ALMANAC.

EXT. SUBURBS. JULES BROWN.

Jules running then gets a strange feeling. He stops in the middle of the street and opens the suitcase and picks up

the Almanac from 2015-A. THE RIPPLE EFFECT SEES THE BOOK DISAPPEAR IN HIS HANDS.

Jules grabs his breath and smiles with delight.

JULES

Mission Accomplished...whoever you are future saviour.

(proudly)

INT. RED 4X4. TIFFANY.

EXT. CARLOS

Carlos lays down in the back of the truck exhausted. Tiffany still driving crazy, approaches a T - Junction and is

caught off Guard, by a MANURE TRUCK, driving across her path.

TIFFANY

Oh Crap!

Tiffany manages to swerve left and avoids the Manure Truck by a mere foot. The Manure

Truck honks it's horn, as it swerves to the right and stops in middle of the Junction.

EXT. BIFF. NEEDLES. TWO FEMALES.

Needles pulls himself into the passenger side, beaten and defeated by his older

nemesis. Biff is seething and hits steering wheel cursing.

BIFF

NOT AGAIN! NOT AGAIN!

Distracted by his cursing over the loss of the Almanac a second time, he is headed for

the Manure Truck. The two females spot the danger and duck.

TWO FEMALES TOGETHER

Oh my God.

Needles looks in terror.

Biff spots the danger, but it's TOO LATE!

BIFF AND NEEDLES TOGETHER

SSSHHHHHIIIIIIITTTTTTT!

BIFF ERRATICALLY TURNS THE STEERING WHEEL ON THE OPEN ROOF CONVERTABLE TO THE LEFT, BUT

CRASHES INTO THE MANURE TRUCK.

MANURE SPILLS ONTO THE VEHICLE, COVERING BIFF, NEEDLES AND THE TWO FEMALES.

EXT. POLICE CAR.

The police car, with Dixon and Needles in the back screeches to a halt, just a few yards behind the crashed

convertable.

EXT. POLICE OFFICER

The Policeman gets out of his patrol car and cautiously proceeds to the stolen car. He is not

comfortable by the stench he approaches. He covers his mouth.

EXT. BIFF. NEEDLES. TWO FEMALES.

The four sticks their heads out of the manure. Biff is defeated once again.

BIFF

I hate Manure.

(to himself)

EXT. HILL VALLEY. DMC DELOREAN TIME MACHINE.

In a secluded area.

INT. DOC BROWN.

Doc Brown revvs up the Plutonium Powered Time Vehicle and hits the accelerator.

A CLOSE UP OF THE DATE: "Wednesday July 31st 1991 07:00 A.M.," is shown.

EXT. DMC DELOREAN.

THE TIME MACHINE REACHES EIGHTY EIGHT MILES PER HOUR AND TEMPORAL DISPLACEMENT OCCURS.

THE TIME MACHINE DISAPPEARS TWELVE YEARS INTO THE FUTURE, LEAVING A PAIR OF FIRE TRAILS BEHIND!

EXT RED 4X4.

INT. TIFFANY.

Tiffany looks in her mirror and spots Carlos sitting up catching his breath. She barely sees up the road

and sees his father is not in pursuit anymore. Carlos looks to Tiffany through the back.

CARLOS

It's alright. It's over.

Tiffany puffs her cheeks with relief.

EXT. BRIDGE.

The truck then approaches a two way Bridge.

INT. TIFFANY.

Tiffany then applies the foot brake, but it doesn't seem to slow down.

The break Fluid is leaking. Tiffany gets hysterical.

TIFFANY

Oh my God! I can't stop! The Goddamn truck won't stop!

EXT. CARLOS

The Future Time Traveller sits up and takes notice and holds his hand up in reasurrance.

CARLOS

Hold on. I'm coming.

As Carlos attempts to move to the passenger window, he sees Tiffany's dangerous driving, is sending them

in the path of an oncoming Long Distance Truck.

CARLOS

TIFFANY. LOOK OUT!

Tiffany looks up, as she is mere feet from collision. She jerks the wheel to the right and spins out

of control. The front of the 4x4, makes contact with the Guard Rail and the back wheel, momentarily gets

caught up in it. The Impact shatters the Wind Shield and knocks Carlos to the floor. The passenger comes away and heads down to the river. The Truck is merely balancing. Tiffany is dazed, but recognizes, the truck is facing a possibly drop into a raging river. She tenses

up and is too afraid to move.

The Long Distant Truck has failed to stop.

Carlos gets to his feet and moves forward, when the Truck tilts forward. He stops. He realizes

if he continues forward, the truck will tip over. He looks looks through the rear window from

a safe distance.

CARLOS

Tiffany? Are you alright?

Tiffany is too scared too acknowledge Carlos.

Carlos calls again.

CARLOS

Tiffany?!

Tiffany manages to get herself to respond, despite being on the edge.

TIFFANY

Um...yeah..I -I -I'm OK.

CARLOS

Listen. We're gonna have to think carefully how we play this. Any wrong move could send this truck plummeting into the river.

Tiffany starts to cry and shake, fearing for her life.

CARLOS

But, I'm gonna get you out, I promise. OK?

Tiffany is relying on Carlos to do the right thing. There are no second chances.

She wipes eyes and nose and grips the wheel anxiously.

TIFFANY

OK.

Carlos cautiously steps back a few paces, as the vehicle tilts backwards and forwards.

He continues this continously and reaches the back of the truck. He lifts his leg over the back and

jumps off. The Truck remains in a safe position fow now. The back wheel is slowly losing it's grip

on the Guard Rail. Time is running out. The truck seems to move sideways a half a foot. Carlos

decides not to alert Tiffany of this, as he does not want to scare her. Carlos slowly paces himself sideways,

watching the truck, then worrying about his Fathers Arch Enemies Daughter. Tiffany is on tender hooks.

TIFFANY

Justin? Please hurry.

Carlos eyes the situation. He needs to act fast.

He hops over around the Guard Rail and shuffles himself towards the dangling truck.

He sees Tiffany unable to move.

CARLOS

Tiffany? I'm gonna need your help.

She glances a nervous eye towards Carlos, as she stares frightened towards the river below.

TIFFANY

Huh?

CARLOS

You're gonna have to move yourself towards the passenger seat and to the side of the truck and reach out as far as you can.

Tiffany cries again. She is too scared, as she grips the steering wheel tighter.

The grip on the back tyre, slowly loosens again. The truck judders.

TIFFANY

I-I can't.

CARLOS

Please, Tiffany, you have to.

Tiffany realizes it's the only way. Tiffany slowly shuffles herself, nervously towards the passenger seat. She looks to Carlos, who is about three feet away.

The truck spins, about an inch more, away from Carlos. Tiffany fears the worst.

Tiffany, momentarily retracts from moving herself up the edge of the truck.

CARLOS

Don't look down, just keep your eyes on me...All the way!

Momentary pause from Tiffany, shaking like a leaf.

She nods reluctantly.

TIFFANY

Uh- OK.

Tiffany tries to balance herself, as she pulls herself out and lifts her leg to reach the edge of the truck.

The Guard Rail around the tyre, slowly starts to snap and there is another judder.

Carlos with all his strength, gets closer and closer to give himself leverage

The truck starts to tilt bit by bit. Tiffany desperately pushes herself towards Carlos. She glances backwards.

CARLOS

Tiffany?! Don't look back.

(he reaches out his hand as she nears closer)

Take my hand. Don't look down.

Tiffany freezes. She nervously puts out her left hand, as she holds the truck with her right.

Carlos will all his might, pushes himself for Tiffany's reach.

CARLOS

C'mon reach. You can make it.

The grip on the tyre gets looser and looser.

Tiffany starts to scream out, as the truck moves again.

TIFFANY

OH MY GOD! PLEASE HELP!

SUDDENLY, THE GUARD RAIL GRIP ON THE TYRE GIVES WAY!

CARLOS SOMEHOW GRABS TIFFANY'S HAND AT THE LAST MOMENT.

THE 4X4 PLUMMETS TO THE RIVER BELOW, AS CARLOS TIGHTENS HIS GRIP

ON TIFFANY'S HAND, AS SHE DANGLES. HE WRAPS HIS LEG AROUND, THE

GUARD RAIL, AS HE PULLS HER UP. SHE PUTS HER ARMS AROUND HIM.

THEY SMILE AT EACH OTHER. TIFFANY IS BESOTTED.

TIFFANY

My hero.

ALL OF A SUDDEN, WITHOUT WARNING, THE GUARD RAIL, THAT CARLOS HAS HIS LEG RAPPED AROUND

GIVES WAY, AND BOTH CARLOS AND TIFFANY START FALLING TO TOWARDS THE RIVER!

THEY BOTH SCREAM OUT LOUDLY!

THEN, OUT OF KNOWHERE, A METAL WIRE FROM UPWARDS, WRAPS AROUND CARLOS LEG AND PULLS THEM UPWARDS.

EXT. TIME TRAIN

IT'S A WIRE FROM THE TIME TRAIN.

INT. VERNE BROWN.

Verne Brown appears to be pulling them to safety, using gadgets inside the Time Vehicle, while steering at

the same time.

INT. CARLOS. TIFFANY.

Both Carlos and Tiffany are hoisted inside and the Cab door shuts automatically.

Carlos and Tiffany look to their surroundings. Tiffany is bewildered by the sudden rescue, yet

confused to where she is.

TIFFANY

What the hell?

Carlos looks to the front of the vehicle and sees Verne driving the Time Train.

He gets to his feet, as he deals with the turbulances, by balancing himself.

He runs up to Doc's Son.

CARLOS

Who are you?

Verne turns and smiles.

VERNE

No time to explain young man. I saw you had a little trouble there. Thought I'd intervene.

Carlos raises her eyebrow and takes the seat beside Verne.

Tiffany pushes herself onto a seat in the back.

CARLOS

Wait a minute it said in my Fathers Journal, about a...

(realizing)

The Time Train, Dad mentioned that arrived on this day.

Verne recognizes that Carlos is familiar with his father.

VERNE

You know, about that?

CARLOS

Sure. Do you know a Doctor Emmett Brown?

VERNE

Who wants to know?

CARLOS

I'm Carlos George Mcfly..Son Of Marty Mcfly.

Verne gives Carlos a darting stare, with surprise.

VERNE

Great Scott, you must be the one Jules was referring to. You must be here for the book too. From October 26th 2015?

CARLOS

I suppose you saw the changes from whatever timeline you arrived from?

VERNE

2025 to be precise, although we were on a quick visit from 1925, where the future version of our father is living now.

CARLOS

Your father? As in Doc Brown?

VERNE

Uh- yeah.

CARLOS

Thanks for the rescue. Anyway, with the timeline now restored, my Mom should be very much alive in the future, and God knows what else. Our future should be a whole lot better, than the one Biff created.

Momentary glance from Verne, who seems really irritated by something.

VERNE

...Yeah.

Tiffany holds on in the back, very nervously.

TIFFANY

Can somebody tell me, what the hell is going on here?

Verne looks back, with a frown.

They back to Carlos.

VERNE

Who's that?

Carlos shrugs and smiles a little.

CARLOS

Just somebody, who needs a better guidance.

(talking to Verne- looking at Tiffany)

Did you find out how Biff got that book?

(to Verne)

Verne hesitates.

VERNE

...No.

(lying- by Jules claims or denial)

Do you?

Carlos suspects that Verne does not know the truth, that possibly

his father gave Biff the book in 1985. Carlos sits back, deciding to keep

it to himself for now.

CARLOS

Um..not that I know of. The date is all I got from my mother before she died in the dark 2015.

VERNE

I understand an earlier version of my father is with you?

CARLOS

Yeah, he said something about, Advanced Future Technology not existing in the future...Something that was supposed to by the time the year 2015 came about.

Again Verne doesn't respond immediatley.

VERNE

I'm sure the Space Time Continuum has found a balance now. Let me set you both down somewhere and the earlier version of my father can take you back to the future.

CARLOS

I need to know my father is safe, he's walking around somewhere here in 1985. Probably reminising.

Verne nods.

Carlos then gets an idea.

CARLOS

Wait a minute.

Verne is curious, looking at Carlos.

VERNE

What is it?

CARLOS

Lyons Estate..that's where he'll be. The Mcfly residence.

Tiffany is left in the dark, on what discussion, Carlos is having with Verne, while

in a Flying Steam Train. She seems annoyed by this. She staggers to her feet and

proceeds to the front of the train, while stumbling all over the place.

TIFFANY

Whoa. What's with the turbulance? What the hell is this?!

Carlos and Verne glance at one another, knowing full well, what they're travelling in.

Carlos then turns to the front and is his expression turns to TERROR!

CARLOS

WATCH OUT!

VERNE TURNS TOO LATE.

THE TIME TRAIN HITS A POWER LINE AND ELECTRIFYING THE FLYING TRAIN!

THERE IS A HUGE JUDDER AND VERNE CANNOT GAIN MANUAL CONTROL.

SPARKS FLY AROUND AN OPEN AREA. THE SURGE EVENTUALLY SENDS THE OUT

OF CONTROL STEAM TRAIN INTO THE AIR AT HIGH SPEEDS. THE TIME CIRCUITS START FLASHING THE DATE:

"FRIDAY OCT 20 2045. 6:30.P.M."

SUDDENLY, TEMPORAL DISPLACEMENT OCCURS AND THE TIME TRAIN DISAPPEARS

INTO AN UNKNOWN TIME, LEAVING A PAIR OF FIRE TRAILS BEHIND!

EXT. SUNSET.

The sun begins to set over Hill Valley.

EXT. LYONS ESTATE.

INT. MCFLY RESIDENCE. MARTY MCFLY SENIOR.

Marty lays awake, in mourning of his best friend, who apparently had died in the Town Square, earlier that afternoon.

He can hear voices coming from outside his eighties, bedroom. It's his Mother, who's take by surprise of a Power Cut.

LORRAINE (O.S.)

George, honey can you fetch the candles?

GEORGE

Sure, I think there might be some in the bedroom. You check in the cupboards.

LINDA (O.S.)

Mom, what on earth is going on in this town today, or this weekend for that matter? It's been crazy.

Not to forget to mention Marty's odd behaviour, Doc Brown's death and this...

LORRAINE (O.S.)

Calvin Klein...Relax Linda he's not dangerous.

Marty sits up and hears the commotion outside in the living room. He gets to his feet.

He moves slowly to the door, when suddenly the door flies open.

INT. GEORGE MCFLY.

Holding a candle and seen no more than a dark figure, he doesn't seem very happy. He kicks the door shut.

He gives Marty an intense stare, almost like hatred. Marty is nervous.

GEORGE

Alright. I don't know if you can answer me, but this has been bugging me for some time now. But, I think Lorraine has been in denial about this the whole time. So I want to get this off my chest, before I go back in there and before my s...my son gets home from the Lake.

Marty waits for George's lecture.

GEORGE

On the night of the famous Hill Valley Lightening Storm, Saturday November 12th 1955, you predicted, that one of my kids would set fire to the living room rug. And he did. On his birthday June 8th 1976.

(walks closer to Marty- almost intimidating)

Funny thing is, the person in particular, was our third son, Marty.

Marty waits for the punch line.

GEORGE

Who looks exactly like you...coincidence really, huh?

Marty freezes.

George folds his arms.

GEORGE

So, give me a nod or a shake of the head.

Did you and my wife have an affair sometime in 1967? Twelve years after the Enchantment Under The Sea Dance?

Marty tries to talk, but his mind won't let him.

GEORGE

Don't try to explain. Because, I'm not fending for you anymore, not even for Lorraine's sake. I can easily make a call an have you sent back to whatever mad house you were in.

A few seconds pass.

THE CAMERA PANS CLOSE TO MARTY.

THEN A MIRACLE.

MARTY SR

I-I- th-ought there w-was a Power Cut.

George sarcastically and smugly looks at his son.

GEORGE

Well, that's a start.

It suddenly dawns on Marty, that he can speak.

It's all due to the Almanac being burnt and the Ripple Effect altering the timeline.

Marty is overhwhelmed and joyous. He clenches his fist, with excitement.

MARTY SR

I can talk. My Voice. It's Back!

(jumps up and down)

DAD! IT'S BACK!

George is then caught of guard, when Marty grabs him and hugs him tightly and starts dancing around.

George freezes gobsmacked, by Marty's outburst.

MARTY SR

I DON'T BELIEVE IT!

WOO HOO!

Marty rushes from the bedroom, shouting for joy and into the living room.

INT. LORRAINE. LINDA. DAVE.

The three have just lit candles and place them down. The abrupt yells from Marty

startles them. Marty comes running in, jumping around hysterically.

MARTY SR

MOOOMMM!

I'M CURED!

He rushes up to his Middle aged Mother and lifts her off the ground and jumps around

hugging her. He puts her down and stares at him strangely. Marty then hugs Dave and then Linda.

INT. EINSTEIN

Einstein barks with excitement. Marty then hugs Einstein.

MARTY SR

EINIE. WHOOP WHOOP!

Einstein barks again, as the Mcfly watch Marty acting ridiculously silly.

EXT. MCFLY RESIDENCE. DUSK.

The Sun is barely set. Marty rushes outside with Einstein, joyful and starts dancing around.

EXT. FBI CAR.

INT. SANDERS. NICHOLS.

Sanders and Nichols pulls up across from the Mcfly home and see Marty acting like a Mad Man jumping

around in the middle of the Mcfly driveway. They also see he is in, a Straight Jacket. They find the situation very

odd.

NICHOLS

What the hell is going on, here?

SANDERS

Looks like an escaped lunatic, by the looks of things. While we're here, we can investigate him also.

EXT. SANDERS. NICHOLS.

The two agents, leave the vehicle and proceed across the street to in their eyes, is a crazy Marty.

Marty spins around dancing. He spots the agents and crazily gives Sanders a bear hug.

MARTY SR

I'M CURED!

Sanders gives hima stern look.

SANDERS

I beg to differ.

EXT. LORRAINE. GEORGE. LINDA. DAVE.

The Mcfly family come hurrying out of the house.

Sanders and Nichols ignore Marty's insane behaviour and sees the Mcfly are present. Marty stands and watches.

SANDERS

Are you the legal guardians of Marty Mcfly?

(to Lorraine and George)

GEORGE

We're his parents.

Marty interrupts.

MARTY SR

I'm Marty Mcfly.

Both agents ignore him. George though finds Marty's claim abrupt and serious.

SANDERS

Is your son home?

(to Lorraine and George)

Marty interrupts again.

MARTY SR

Sure I a-am. I-I'm right here.

The agents ignore him again.

LORRAINE

My son went to the Lake with his girlfriend. Does this have anything to do with Doc Brown and his links to a Terrorist Organization? We heard he was killed today.

NICHOLS

Yeah. We believe your son may hold information, as to why the scientist acquired a highly dangerous Nuclear substance from these extremists?

Marty interrupts again.

MARTY SR

For his Time Machine. A Delorean. 1.21 Gigawatts.

Everyone present, stares at him strangely, as Marty is not making any sense.

The agents continue with their questioning.

SANDERS

Can verify the whereabouts of your son, between the hours of 12AM and 6AM, Saturday morning?

MARTY SR

GOING BACK IN TIME!

(interrupting)

SANDERS

Like did you see any strange behaviour?

GEORGE

Kind of. Yesterday morning for a start. He passed out like he didn't recognize us, and then he claimed the car was wrecked. To top it all off, he turned up this morning, in a Cowboy outfit.

Sanders recognizes, the reference to a Cowboy Outfit, that witnesses

claim to have seen at Eastwood Ravine earlier that morning.

SANDERS

Cowboy Outfit?

Marty then intervenes.

MARTY SR

Yeah. That was me. Just got back from 1885.

I'M CLINT EASTWOOD!

My- my Great Grandfather William pissed on me.

Linda laughs. Lorraine is not amused and gives her daughter an

annoyed look.

Sanders shakes his head, now curious about the stranger in the driveway.

SANDERS

I'm sorry, but who is this?

(to the Mcfly's -pointing to Marty)

Before Lorraine can answers, Marty interrupts again.

MARTY SR

MARTY MCFLY! MARTY MCFLY! MARTY MCFLY

FROM THE YEAR 2015!

LORRAINE

Just a friend of the families. He's had a rough day.

(to sanders)

LINDA

I'll say.

(sarcastically)

GEORGE

Yeah, Uh...a friend of the families.

NICHOLS

How late do you think Marty will be? It's really urgent?

GEORGE

Hopefully not too late, he doesn't want to be late for school. Which is rare.

MARTY SR

I had four Tardy's in a row.

(interrupting)

SANDERS

We can wait.

MARTY SR

Be a long wait. Me and Jennifer we're busy

(nudging Sanders winking)

If you know what I mean?

Linda frowns.

LINDA

You know Marty's girlfriend?

MARTY SR

My wife. We planned our trip for two weeks.

Took my new 4x4. The day Dad published his first Novel.

B-u-ut Doc sh-showed up in a flying Delrean and took

US TO 2015! WITH FLYING CARS! HOVERBOARDS!

WOO HOO!

Sanders is now irritated by Marty's interference.

SANDERS

Listen, why don't you come with us. I'm sure we can find a nice warm bed for you.

George suspects there is some truth in Marty's claims and steps in.

GEORGE

Wait.

(to sanders)

Calvin or Marty. What was the name of my book?

(to Marty)

MARTY SR

A Match Made In Heaven.

Georges suspicions were right. He realizes why Calvin Klein wanted to get Lorraine and George

together back in 1955. He turns to his wife. She looks at George wondering what the clue could

be, but then it suddeny hits her. She stares at her son, who is the same age as them.

LORRAINE

Calvin?..is Marty..our son?

Marty smiles at Lorraine.

Lorraine focuses on Marty and sees the likeness in his eyes.

CLOSE UP OF MARTY'S EYES.

Lorraine is totally shocked by the revelation. Then she has a brief flashback.

INT FLASHBACK.

Saturday November 12th 1955-ENCHANTMENT UNDER THE SEA DANCE

EXT. HILL VALLEY HIGH SCHOOL.

INT. 1955 PICKARD. LORRAINE BAINES. MARTY MCFLY.

Lorraine is attempting to seduce Marty, when she plants a kiss on him. She suddenly senses something familiar

about it and pulls back.

LORRAINE '55'

This is all wrong. I don't know what it is. But, when I kiss you, it's like I'm kissing...my brother. I guess it doesn't make any sense.

MARTY

Believe me. It makes perfect sense.

END OF FLASHBACK.

EXT. LYONS ESTATE - Oct 27 1985.

Lorraine puts the pieces together.

LORRAINE

Whoa, this is heavy.

Lorraine faints and George catches her.

Linda and Dave look at one another finding the situation pretty insane.

LINDA

Do you think Mom and Dad are losing their minds too?

DAVE

You know what sis, I'm beginning to think you're right.

Sanders nudges Nichols.

SANDERS

C'mon lets go wait in the car.

AS THEY TURN, THREE SUPER SONIC BOOMS ARE HEARD AND THREE FLASHES OF LIGHT ARE SEEN.

THE FORCE OF THE BOOMS KNOCK THE FEDERAL AGENTS OFF THEIR FEET.

EXT. FOUR DOOR DELOREAN TIME MACHINE

A DELOREAN TIME VEHICLE APPEARS OUT OF THE BLUE, THIS TIME WITH FOUR DOORS.

MARTY STANDS FROZEN ON THE SPOT, WHERE THE DELOREAN SWERVES AND STOPS

NEAR THE MCFLY DRIVEWAY.

GEORGE, LINDA AND DAVE ARE STOOD IN ASTONISHMENT AND ARE AGASPED BY WHAT THEY'VE

WITNESSED. SANDERS AND NICHOLS SIT UP.

THE GULLWING DOORS FLY OPEN.

EXT DOC BROWN.

IN A WHITE RADIATION SUIT. HE LOOKS OVER TO WHERE MARTY'S STANDING.

DOC

MARTY!

Marty Seniors eyes light up.

MARTY SR

Doc?

Sanders and Nichols look at one another confused.

The Mcfly's are stood scratching their heads.

DAVE

I thought he was dead.

DOC PACES HIMSELF TOWARDS MARTY, WHEN EINSTEIN STARTS TO GROWL AT HIM. IT APPEARS EINSTEIN IS NOT

FAMILIAR WITH DOC. DOC HOLDS HIS GROUND.

SUDDENLY, ANOTHER THREE SUPER BOOMS ARE HEARD, AS WELL AS THREE FLASHES OF LIGHT!

EXT. DMC DELOREAN TIME MACHINE.

ANOTHER TIME MACHINE APPEARS, THIS TIME A TWO DOOR, WITH A MR FUSION ON TOP. IT SCREECHES TO A HALT!

THE GULLWING DOOR FLIES OPEN.

EXT DOC BROWN 1985.

IT'S DOC BROWN IN A LONG YELLOW COAT, AND RED SHIRT AND SILVER SHADES. EINSTEIN BARKS AND HURRIES OVER

TO THE 1985 VERSION, REALIZING WHO IS REAL OWNER IS.

MARTY IS STOOD WITH HIS MIND ALL OVER THE PLACE. A MAN WHO HE THINKS IS DECEASED, IS STOOD DOUBLED TO HIS LEFT AND RIGHT.

NICHOLS LEANS AND WHISPERS IN SANDERS EAR.

NICHOLS

For a guy who's dead, he knows how to spread himself around.

SANDERS BLINKS SEVERAL TIMES, TO MAKE SURE HE'S NOT SEEING THINGS.

1985 DOC SPOTS MARTY STOOD TERRIFIED.

DOC '85'

Marty?

(running over and grabbing his arms)

You've gotta come back with me.

MARTY SR

Where?

Doc '85' lifts his shades.

DOC '85'

Back To The Future.

THE ALTERNATE DOC WHO ARRIVED FIRST, SEEM LIKE A RELICA OF THE EVIL DOC WHO GAVE

BIFF THE ALMANAC. HE REVEALS HIS TRUE INTENT AND TAKES OUT A GUN AND POINTS IT AT

MARTY.

ALTETNATE DOC 2

I must Terminate Marty Mcfly.

BOTH DOC OF 1985 AND MARTY WATCH IN HORROR.

ALTERNATE DOC 2

You should have stayed in Hell Valley Mcfly.

DOC SHIELDS MARTY AND THE EVIL DOC OPENS FIRE

AND DOC TAKES THE BULLETS FOR MARTY. THE BULLETS DON'T SEEM TO

HAVE AN AFFECT ON DOC, AS THEY RICHOCHET. HE SLOWLY WALKS TOWARDS HIS IMPOSTER.

AFTER SEVERAL SHOTS ARE FIRED, THE BULLETS RUN OUT. 1985 DOC THEN SURPRISES THE

IMPOSTER WITH A SLEEP - INDUCING ALPHA RHYTHM GENERATOR. THE ALTERNATE DOC IS KNOCKED UNCONSCIOUS.

DOC OF 1985, KICKS TEARS OUT THE FOUR DOOR TIME MACHINES TIME CIRCUITS AND DESTROYS IT FLUXCIPACITOR.

DOC LOOKS DOWN AT HIS EVIL COUNTER PART.

DOC '85'

Don't worry. I'll be back for you.

DOC THEN HURRIES OVER TO A TRASH CAN. HE TAKES SOME TRASH AND PLACES IT INTO THE MR FUSION ON TOP

OF THE DELOREAN. MARTY WALKS OVER ASTONISHED.

DOC '85'

Go ahead quick get in the car.

MARTY SR

You're alive.

DOC '85'

Yes I know. But that wasn't me Marty. I suspect he was a clone and so is the one over there. Somebody must really hate me...and you. But, let me worry about that.

(closing Mr Fusion and walking up to Marty)

It's good to here your voice again Marty.

MARTY SR

But, I'm stuttering Doc and I feel groggy.

DOC '85'

It's most probably the Ripple Effect kicking in, but at a slow transformation. Any lets get you back to the future.

MARTY SR

What about Carlos?

Doc puts his hand to his head.

DOC '85'

Great Scott, I forgot about that. Look I'll have to get you back to 2015. Jennifer is alive and waiting. Let me worry about Carlos. I'm sure he's fine, considering the time line seems to be restored.

MARTY SR

You're the Doc Doc. Where've you been?

DOC '85'

Just to make a few alterations..nothing major.

(not being totally honest, based on it not being too major)

INT. DMC DELOREAN. MARTY. DOC. EINSTEIN

Doc types in the Destination Time "MON OCT 26 2015 07:OO A.M."

DOC '85'

Oh I forgot to mention, due to the time line restore Marty Junior and Marlene exist in the future. That's a good, due to events leading me to eventually end up in 1885.

Marty looks at Doc in confusion.

DOC '85'

...Yeah, let me worry about that also.

Marty sees the bullet holes in Doc's red shirt.

Doc sees Marty looking.

DOC '85'

Ah yes. Since the nights at the Mall in both 1985 and the Alternate 2015, I kinda wanted to be cautious from now on. Can never be too careful, no matter, what year or century.

(Doc prepares the Time Machine)

Well, hold on Marty, prepare for Temporal Displacement.

MARTY SR

We had better back up we don't have anough roads to get up to Eight Eight.

DOC '85'

Roads? Where we're going Marty, we don't need..roads.

THE DELOREAN LIFTS OFF THE GROUND, AS THE WHEELS FOLD OUTWARDS AND SPEEDS UP IN THE AIR.

THE MCFLYS AND FBI AGENTS WATCH ON.

THE DELOREAN TIME VEHICLE SPINS 180 DEGREES.

WE'LL

BE

BACK IN TIME!

APPEARS ON THE SCREEN

THE DELOREAN HEADS TOWARDS THE CAMERA AND DISAPPEARS INTO THE FUTURE!

BACK TO THE FUTURE PART V COMING SOON!