It starts when she sees her across the other side of a hotel lobby, pointing at a woman just about to get on an elevator. No, it really starts when she thinks that she hears her say "Better look at that accountant again." No, it actually starts when she's staring at her coffin as it's lowered into the ground.

A Person of Interest novel. A serial killer surfaces in New York-twice-but the Machine fails to give the team his number. Why? And what will the team do when the killer picks one of their own as his next target? EDIT 2/19/14 Song titles, lyrics and artists deleted to comply with content guidelines.

This is a companion piece to "The Protector's Daughter." The one connection missing in Chloe's life is the father she's never met, a man called Harold Pheasant.

When the machine pulls out the number of an ex-conman, turned CI for the FBI, the suspects' list seems endless. Who wants Neal Caffrey dead?

John is a chef, Harold frequents his restaurant.

One day, Harold receives an email from an anonymous sender. Surprised, he goes on a quest to find out who that person is.

The Machine gives Finch the titles of books that have no Dewey Decimal numbers, because the books don't exist. Only Elias can help them find out who is in danger, but Reese and Finch do not know that Carter freed Elias from prison before she died. This is a sequel to The Last Witness, and it contains characters introduced in that story, so please read it first.

A small story I wrote 2 years ago after watching "Number Crunch".

Finch's POV as he ponders how his partnership with Reese has changed in the aftermath of Number Crunch. This fits with the slight AU established in my story "In Fear, Resolve", but you need not have read that one.

This is the continuation of my Personal Interest Book series. We find Reese, Carter, and company several months after the birth of their daughter Vivian. Please R&R!

John Reese is a domesticated man even though his memory is a little shoddy... but when his family is threatened...a domesticated John Reese is still a dangerous John Reese.

100 Oneshots 100 Prompts. I explain better in the very first TOP AUTHOR'S NOTE! 4th prompt up is: Pillow. Rated T(not explicit love scene)

Reese and Carter after their first kiss.

This is a companion piece to 'Lost In Translation', 'Not Just Another Walk In The Park', 'Truth And Consequences' and 'Chilly Returns And Warm Welcomes'.

John Reese and Joss Carter survived the downfall of HR and are trying to figure out if they can ever have a so called normal relationship. The problem is, Carter is on the trail of a serial killer and Reese has a new number, leaving little time for relationship drama. Throw in a blast from someone's past, and John and Joss just might have more than they can handle.

Reese and Joss survived Simmons's ambush, and HR is dead and gone. But is it? Quinn's made off with millions, but leftover HR mongrels want that money and will stop at nothing to get it back...even using Quinn's daughter as bait. When Joss goes undercover to guard her nemesis's offspring, her moral compass will be tested. As danger closes in, will Reese be able to save them both?

AU. Joss Carter just wanted some excitement thrown into her mundane routine. What she receives, however, which includes vigilante heroes (who could easily be the villains depending on the day of week), drug wars, mobsters vouching for control of New York, and an exponential increase in the amount of bodies dropping around her isn't really what she had in mind.

Another short "Reese/Shaw" fic. I do not own person of interest, so don't sue.

Another "what if" alternative to The Crossing.

'What can go wrong, will go wrong' becomes a very apt expression when Reese fails to get there in time to help a Number. Blink-and-miss-it references to multiples episodes through to the end of the second season.

Harold Finch knew there was something wrong. He may have the correct diagnosis, but still not fully understood the underlying cause. (POV Bear; fill in scenes for 2.14)

After wrapping up their recent case, John and Finch are back in library. Where Finch recovers something surprising from John's camera. A short John/Finch OS, set after the events of 'Last Call [3x15]'. Rinch

There were many traditions for mourning the dead, each one designed to help the living remember lost loved ones. Yes there was many ways to mourn the dead and this was his. Harold Finch contemplates events after episodes 3x09 and 3X10 COMPLETE

Five times John tells Joss that he loves her without saying the words and the one time that he does.

Joss Carter's Christmas tree is long past its prime; her son is an unwilling accomplice in dismantling it. Harold Finch swoops in to offer timely help.