Welcome to my profile page. Below you'll find information about my writings. Some stories are in progress - and have been for a long time- but I have not forgotten them and one day their status will become 'complete'.

In my Princess Diaries stories the Queen and/or Joseph is/are always the lead(s). Charlotte, Mr Motaz and Viscount Mabrey might make their appearance too and sometimes Amelia and her mother or even Elsie and Von Troken show up. All other women and men needed to fill castle and country are made up by me. I'd like to think of Genovia as stretching from the Mediterranean Sea to the Atlantic Ocean, creating a barrier between France and Spain. My stories can't always be connected (as to the story line) to the films. For one, I always make the widowed Queen a Queen Regent for either her son or her granddaughter. The films are romantic but my stories don't lack drama; especially not in Kidnap, NHEAS (the not happily ever after series), Ties that bond us and International waters.

When first seeing the Sound of Music I concluded that the baroness was an unpleasant character, but after watching the film again I changed my mind, due to the 'what shall I buy you for a wedding present' scene between her and the captain. As a result baroness Schraeder is in the lead in my tSoM stories and I made her meet colonel Hans Landa in an Inglorious basterds crossover.

'That old Black magic' (a Harry Potter story) is the first fanfic I ever started writing, though it's not the first I published. The central character is an actress who signed to play Narcissa Malfoy Black only to find herself trapped in a world of wizards.

The big bang theory and the walking dead are series I like to watch. I pictured Penny and her nerds in a zombie-invaded world. They would change, but how? And how would Rick and his group behave toward Sheldon Lee Cooper?

I also wrote a Shakespeare (Hamlet) story about the seven years old Rosencrantz and Guildernstern at Elsinore castle. I like plays and Hamlet in particular. Just in case you think that Shakespeare's language is old fashioned and boring: go and see one of his plays on stage or watch a film. Watching Hamlet on stage seldom doesn't make me anxious as to what will happen. What will happen? Isn't that already written down? Of course it is but just like (fanfiction) writers, directors are at liberty to use characters just as they like (especially non-English speaking directors, who will have to translate the play anyway, having to choose one of many alternatives for to be or not to be for a start, and who might as well take more liberties). After seeing a play performed you will recognise the characters and the heartbeat of the language. You could watch the 1990 Zeffirelli version. All references to politics are unfortunately cut but it's an enjoyable movie. Then there's the 1996 Branagh production, which should be watched to see Derek Jacobi's Claudius if nothing else (there are also good performances from for instance Richard Briers, who makes Polonius the sneakiest councillor I've ever seen). And there's the 1980 BBC version with Patrick Stewart and Claire Bloom making a fine royal couple. Mr Stewart again accepted the part of Claudius for the Royal Shakespeare Company and someone had the brilliant idea to make a screen version (2010) of that Hamlet.