The year is 2019. Two of New York's most prestigious private schools, Constance Billard and St. Jude's, are hosting a 10 year reunion for the class of 2009. DS, CB, NS, DB.

Post 3x02. Quinn wanted to call her daughter Caroline.

Puck and Quinn sing the songs of their summer.

"You're gonna find yourself somewhere, somehow." In which Santana needs a song and Rachel is the one to sing it. Santana/Brittany, Santana/Rachel friendship.

Quinn-centric. "She isn't evil, she just learned her lessons early." A tag to Born This Way.

Future!fic. "In the aftermath of a tragedy, Nate Archibald asks Blair Waldorf for the impossible. She says yes." Nate/Blair, Nate/Serena, Dan/Blair, Chuck/Blair, Dan/Serena.

Ensemble fic, multiple pairings. "Baby, it's cold outside."

AU. Ensemble fic, Santana-centered. "The first thing you need to know is that sometimes I forget, too."

NS. "Every atom of you and every atom of me." Oneshot.

NS. 4x10, AU. "Tell me what happened and I'll believe you."

A tag to The Substitute. PQ. "And then there was her mouth, lips perfectly glossed and singing, right at him – forget you."

Dan/Serena/Nate. "Possibly, there's a mathematical improbability in there somewhere, but Dan is an English student."

Post s3. NSCB. You can't force yourself to fall out of love.

Puck/Quinn. "They date for sixteen days in October."

All is lost, hope remains, and this war's not over.

Emily-centric. Set after 1x09. Emily/Alison, implied Emily/Maya. Appearances by Hanna, Aria, Spencer. / "Not forever," Emily agrees wryly.

CS. Post-s3. "I liked you better before."

NS. Oneshot. The ways Serena and Nate break up and make up in the summer of 2010.

MQ. "The first time she's attracted to Mike Chang, she dismisses it as her baby hormones making her crazy."

Serena/Carter; the aftermath of 3x18. "It scares her, the way they are irreversible."

Oneshot. FQ. Set during Journey. "I've been in love with you. I know what it looks like."

NS. A pre-boarding school interlude. "It's enough."

SB. Six times Blair and Serena have sex just because they're bored. And one time it happens for much better reasons.

Follow-up to 3x19. Blair dates the boy who told her she was totally hot. "He doesn't give her butterflies, but he gives her...something."

Serena/Thomas. Boarding school. "It was broken long before you came around."

Post-3x21. DS. "It's always going to be there, isn't it?"

Future-fic. Dan. Serena. Nate. // Dan burns the chicken so Nate orders pizza, tells Serena, "Welcome to our world."

Brittany/Santana. "God bless the perv that invented these skirts."

Fourteen times Serena van der Woodsen gets married. And one time she doesn't.

Chuck/Serena. A collection of the moments they almost hooked up, but chose to blame it on the alcohol.

Future-fic. Dan/Serena/Carter. "You're such a cliche, Serena," her best friend sighs.

NS. From fake-dating to real-dating. Circa 2x01. Oneshot.

Snapshots of NS. "You make me smile like the sun."

Nate/Serena. He would follow her anywhere, and if she needs him to prove that, he will.

Nate gets a good grade in Boyfriend 1001. NS. Oneshot.

Dan/Serena. Early s3. "All we ever do is say goodbye."

DS. Early s1. It's just a boy and a girl and a story.

Nate/Serena. They love each other, in whatever ways that they do. So they're going to stop bothering with logistics. They're just going to watch some really good tv. Amidst all the other stories, they'll figure out their own. Series of Oneshots.

Ca/S. C/B. "He set out to corrupt her, but on reflection, he began to realize that it very well may have been that she corrupted him."

Nate/Serena/Tripp. "I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool." - The Great Gatsby

Nate/Serena. Five times they tell themselves it's just sex before they let themselves admit that it's been much more all along.

NS; happy holidays.

Serena/Tripp. "They've gotten so good at missing their chances, after all."

NS; alternate 3x06 ending.

Nate/Serena. Early S2. He needs someone, and she wants to be there. "When she shows up on his doorstep she looks a little lost, but she gives him a smile that makes him feel found."

Season one. Peter/Claire. What was, what wasn't, and what should have been. "Save the cheerleader; save the world."

N-JBC. Snippets of their shared childhood, from cupcakes to Christmas and everything in between.

CS. "No, listen to me. I've had this conversation before. We cannot be involved if our parents are together." All Serena's rules are about to be broken. And maybe she likes it.

CBNS. At sixteen, Blair decides it's time to lose her innocence, so she enlists the help of her three best friends.

Lucas realized that Peyton was The One when it was too late for them both to be together. Years into the future, what will it take for her to stop running from him? Music, scheming, a beloved little girl, and of course: Chris Keller.

Nate/Serena. Set during 2x21. Because maybe she did come back for him, after all.

Oneshot. Set during 1x10. Serena and Carter reconnect in an unlocked bathroom, and Dan learns how things work on the Upper East Side.

Serena/Tripp; Serena/Nate. "He is almost Nate. She doesn't want to think it, but she can't help the way it happens."

DB; minor NS. Dan realizes that it's no excuse to say that a relationship doesn't work because he comes from a different world than she does: if you want it to work badly enough, it will. And it does.

Dubai. 2019. Chuck Bass and Carter Baizen have a heart to heart. Ca/S; C/B; C/S sibling love.

Oneshot. Blair-centric; Blair/Serena. Friendship, sisterhood, and something like love. How stupid and heartbreaking, that they spent years fighting over one boy, when they should have been fighting for each other.

Oneshot. Serena/Carter. Something draws her in the very first time they meet, but he's leaving, going on adventures she wishes she could have, so she asks him to send her postcards.

Serena/Carter. A lifetime of something they could never quite define.

Oneshot. Serena's relationships with all the males in her life. "She knows it's not healthy, but she can mark the chapters in her life using the men that were there. She thinks that she leaves a part of herself with them every time they walk or she runs."

Nate. Serena. Chuck. Blair. Deadly sins. Heavenly virtues. Somewhere along the line they all fell in love.

Lucas Scott. Serena van der Woodsen. New York City. Summer school. Lust. Maybe love. "He can’t help but stare at her because she’s like a poem begging to be written."

Jack/David/Michelle. "He feels something strange and unfamiliar fluttering in his stomach and up around his heart. Butterflies, of course. In Shiloh, there is no other story."

Oneshot. S/Ca. Carter's perspective on his relationship with Serena over the years leading up to 2x25. When they meet, she always winks and he always smirks, and in between he realizes that he misses her.

Season three. Twenty-four episodes. Serena/Nate. Carter Baizen. Some Chuck/Blair. This time, they're going to get it right.

Things change. In an instant, she makes the decision to go home after two years, searching for everything she lost. But it's harder than she's bargained for, especially when she's got a secret powerful enough to tear it all away again. Peyton-centric; LP.

Oneshot. Elvis. Anabelle. "So they lie in a field of sunflowers, and she becomes his and he becomes hers, and they whisper in the sunlight, sharing their secrets."

Oneshot. Chuck and Serena watch the evolution of Nate and Blair's perfect fairytale from sophomore year and beyond. "Wouldn't it just be so convenient if we could fall in love?" Chuck/Blair. Serena/Nate.

Serena. Carter. Summer. Fiji. Mentions of CB. The possibility of then, now, later, and forever. Everlasting; make this last for ever. Oneshot.

Semi AU L/P. A friendship that blossomed into a romance just before it crashed and burned. The wreckage is littered with countless irreversibly heartbreaking mistakes, and yet there still seems to be something left to salvage.

Lucas, Peyton, and their baby girl as the years go by. "Her people-always-leaving complex has faded away over the past few years, because she’s got two very important people who always, unconditionally, come back." Oneshot.

Oneshot. Brooke & Lucas. Shades of BLP and mentions of Ju/B and L/P. An exploration of Brooke's journey through season six up until the point that she realizes that she might just be living in an epic love story after all.

Lucas/Peyton. Rewrite and extension of 6x20. She knows that he loves this baby, the little life that they've created. But sometimes all he can think is that he needs her more than anything.

They're both living in their hometown. They haven't achieved their dreams. They're lonely. But they're not together. Not yet. LP oneshot that follows ATLGD and KITR.

Miles from home and from who they used to be, Peyton Sawyer and Nathan Scott might just find exactly what they gave up looking for.

Post 1x05. She stops short and squeezes her eyes shut at the sound of his voice. If one of them had to reach out to her right now, she's glad it's him. LP.

AU LP oneshot. He made a stupid mistake and ended up in a place he never should have been. A place that she just happens to be.

Oneshot set after 2x19. Serena/Nate with mentions of CBN, NV, and DS. Just one night. That's all they ever get.

AU. Nathan/Peyton with LP, BL, JP, and JH. A different way that relationships could have developed. Sometimes the things that seem the worst can turn out to be the best.

Lucas/Peyton. After 6x17. Even if he thinks that he can't save her, she still feels safer with him.

Lucas/Peyton. Flashing back, moving forward, and coming home. Sequel to As the Lights Go Down.

Lucas/Peyton. Set after 3x16. There were no questions. She needed him; he was hers.

Rory/Tristan. Circa season one. He stops leering at her just when she realizes that she wants him to.

N/S with hints of C/B. An exploration of what they could have had based on events that actually happened. He asked if he could stay; she said yes.

After the disastrous results of Lucas' proposal, a freak accident gives Peyton a second chance at the future she never got to tell him she wanted.

Dawson/Joey, season one orient. "He’s speechless around the girl who’s been sleeping in his bed since before he can remember."

BLP love triangle and the concept of recovery.

Dark LP. "This was never how he pictured things, four years ago, when he was nothing more than an innocent kid with a hopeless infatuation and dreams bigger than his circumstances allowed."

Lucas/Peyton. "Her heels against the gorgeously tiled floor sounded like a hammer hitting in the last nails on her marriage’s coffin." Sometimes you need to fall apart to truly come together. And sometimes you don't have the chance for either.

Lucas/Peyton. Pointless fluff. Two early morning moments. Babysitting, baby names, and morning sickness.

LP, baby-related. "It's the same as the first time, startlingly abrupt, stabbing pain in her stomach...and yet it's so different. She doesn't care about herself this time; there is something, someone more precious to worry about."

Post 6x13. Lucas, Peyton, and dreams coming true.

Companion piece to Forever; Nate and Serena on and after the day of the Nate and Blair's wedding.

A little insight into exactly what happened between Serena and Nate while they were pretending to date in the summer.

Slightly AU Lucas/Peyton. Loss is powerful. It can tear people apart...or it can result in unexpected gains, like a rekindled friendship and the healing of two hearts.

Post 2x13 oneshot. Non-Judging Breakfast club; N/S and C/B. "I look at Blair and Chuck. And that's the weirdest couple ever, right? But they work so well because all they want is each other. Is that stupid? To want someone to love everything about you?"

Julian/Peyton. LP undertones. Reflections on what has been, what could have been, and what will be. If you love someone, sometimes you have to let them go.

Julian/Peyton/Lucas. One girl, two boys, and a whole lot of history. The reality of it all is that she really did love them both.

Lucas. Peyton. Paris. 3:15 a.m. Cloudy skies, bookshelves, red bedrooms, photographs, and the search for true love always.

AU. Lucas Scott has grown up in the shelter of a small town. Peyton's unstable lifestyle has her moving around on rock tours. When she loses the only person who truly cares, will she trust a total stranger to save her? ON HIATUS.

Lucas Scott has been running from betrayal for two years, but it finally catches up with him in the town he always wanted to be a safe haven. He ends up in New Haven, Connecticut. He wants an escape, but will pursuing it ultimately pull him back?

Rory. Logan. A new kid on campus, a lost love, an undeniable attraction, and the desire to hold on to what is familiar.

Seth's thoughts at the hospital post season three finale. "The thing is, Dad...Summer had to tell me to hug her goodbye."

Lucas/Peyton. A completely different take on the infamous "I hate you" scene, based on the promo rather than the episode.

Lucas/Peyton. Another way they could have found their way back to each other in season four. "Over the night, the inches of space between them decreased until they no longer existed."

Nathan and Peyton; L/P and N/H undertones and endgame. They became friends after their break up and fell in love with different people, but their high school relationship was more than they ever let on.

Lucas/Peyton. Sequel to Someday. He'd splurged on a plane ticket and spent hours in the air to be with her. They weren't at that point in their relationship yet. But then again, when had that ever been an issue for them?

The aftermath of 5x12. Lucas/Peyton. Her mind focuses on a single thing – that same voice, the one that whispered in her ear as lips touched her neck – saying something so much different: “I do.”

Nate, Blair, Serena. The avoidance, the emails, the whatcouldhavebeens.

No.7. Rory/Logan. “Give me whatever it is you, for some reason, need to give me at…Four oh three.”

No. 3. Rory/Logan. Fluffish.

No. 4. Rory/Logan. Snow, mistletoe, and flannel pyjamas.

No.29. Rory/Logan.

No.10. Rory/Logan. Wedding day fluff. “Yeah, but it never really occurred to me that I was in a limo with Limo Boy!”

No. 1. Rory/Logan.

No.26. Rory/Logan. Fluffish.

No. 30. Rory/Logan. Tristan's POV.

No.28. Rory/Logan.

No. 18. Rory/Logan. Lorelai talks about movies, Finn attempts stunts, and Rory realizes something important.

No.24. Rory/Logan. There's no place to resolve an argument like the kitchen floor.

No.11. Rory/Logan. Fluff.

No.25. Rory/Logan.

No.9. Rory/Logan. It's her wedding day, and Rory's not where she's supposed to be. What else is there to do but freak? Pretty fluffy.

No.23. Rory/Logan. Angstish.

No.22. Rory/Logan.

No. 13. Rory/Logan. Angsty.

No.27. Rory/Logan. Sad with a little flashbackfluff thrown in.

No. 20. Rory/Logan.

No. 5. Rogan. Rory's drunk, Logan's worried.

No. 2 Rory/Logan. It's International Talk Like a Pirate Day.

No.19. Rory/Logan. Fluff. Sharing is key!

No.21. Rory/Logan.

No.8. Rory/Logan. Wedding planning. Fluff.

Rory. Marty. Rogan undertones. Her life is no longer that of a smalltown girl out in the real world.

No.15. Rory/Logan. Finn's POV.

No. 14. Rory/Logan. A miniature fight is called a fightette.

No.12. Rory/Logan. Emily's got a gift for them.

No.6. Rory/Logan. London. Snow.

Literati. Pretty random.

No. 17. Rory/Logan. Letting each other in.

No.16. Rory/Logan. Seven years after the season six finale.