"I know you're the only one who won't give up on me." / When Violet Harmon is murdered, Tate is left to put the pieces back together.

She catches him in the backyard, dozing off in the gazebo, the sunlight reflecting off his golden hair and the hint of a smile on the pink of his lips. A worn copy of a collection of Byron's poems and plays lies forgotten across his lap, the page folded where he'd been before he drifted off. This is when she likes him best. / Moments with Violet and Tate that we missed.

Because even if he's been dead for fifty-something years and she for just a decade, children is all they really are. / Violet and Tate, ten years later.

This house is filled to the brim with ghosts, but you are the only monster. / AU. If Tate was alive and Violet was dead. Set in 2011. Three-shot.

"It's better this way," you whisper. "I would've made him go crazy, too." / Annie, when Finnick leaves her for the last time.

It's like that day when his hands became permanently stained with blood. / Gale, and the aftermath of all that fire.

This is how it starts. / Or, twice Teddy Lupin's world falls down.

Makes me love him with every single atom in this fragile earthling body. / Things that Lily remembers.

Lily eats too much ice cream and Teddy gets a sunburn on his forehead and he thinks that maybe this whole sailing-around-the-world-so-that-Lily-won't-want-to-die thing isn't so bad after all. / Basically, Lily buys a ship and kidnaps Teddy.

He holds your hand as you're dragged back into the darkness. / There's a boy named Ted and Lily's not sure why but she's got a feeling like they used to love each other once upon a time.

Watching the way the blue-haired boy gazes at her like she's the only thing he sees. / When Lily falls apart, Teddy tries to put the pieces back together.

And, well, the thing is, Lily tastes so much like the salt in his tears. / Teddy's having a hard time forgetting.

Casting shadows, interrupted. / Blaise learns that denial is not just a river in Egypt. Blaise/Parvati.

You're a coward, that's what you are. / Peter Pettigrew, and what would never be.

Us and forever go hand in hand. / Lily and Teddy, neverending.

James is the first who notices, but James notices everything so it comes as anything but a surprise. / Remus and Sirius and not enough time.

Teddy Lupin doesn't know what he wants. / Teddy/Dominique.

Like vines, like anchors. Like his warm arms around her pale stomach and her hair so aflame that he cannot tell the difference between its strands and the air. / Lily and Teddy and the mess they've made.

"I don't want to play this game anymore." / Lily is tired, and Teddy is scared.

"You, Rapunzel, need someone grounded, someone modest. You know, a guy like dashing, handsome, clever, brave Flynn Rider." / A collection of drabbles. Rapunzel/Eugene.

Once upon a time, they were simple. / But now, Lily and Teddy are something that will never quite be easy.

And since when is my life a bad Muggle movie? / And okay, Lily and Teddy are all kinds of cliche.

He thinks he wants to forget how they look in that moment, and then he realizes he doesn't, he doesn't want to lose any part of her, even if she's already lost her mind. / Finnick and Annie and their own version of forever.

They fit together like how clouds belong to the sky and Romeo belongs to Juliet and your feet belong to the ground and Teddy's heart belongs to Lily but never the other way around. / He'd do anything for her.

She looks like a calamity, a catastrophe, a storm. / Because Lily's the most self-destructive girl Teddy's ever loved.

I really don't know what to say right now. YOU'RE REALLY HOT UNGH is on the tip of my tongue, I have a feeling Scorpius wouldn't react well to that. / Rose and Scorpius pretend they don't have sexual tension.

They're this never-ending love story of perpetual sorrow, of twists and turns and dragon-back rides, of running away but always coming back. / Lily and Teddy and the story they tell.

She lays back, and thinks of a man with dark hair and blue eyes, who always manages to save her when he still hasn't saved himself. / Neville and Victoire don't need anyone else.

I'll always help to save you. / Three stories of post-War healing.

With her hair bright against the city skylights, this life has never seemed so limitless before. / Lily's always leaving Teddy with his heart on the floor.

The scent of purity and apologies. / He'll never regret anything more than this.

She's like a bird. Flighty, one-blink and she's gone. / The one where Teddy learns to let things go, and Lily learns to come back.

At first, it's the usual failed-relationship-type cliché. / Because Neville sees the sparkle in Victoire's eye.

It's nothing if not irrational. / Remus and Sirius and playing pretend.

"Because I'm Lily, and you're Teddy, and I just can't do this." / Lily and Teddy, always trying too hard.

Ten times they're almost something. Because they are best friends, after all. Best friends. Who sometimes hate each other. And sometimes don't. / Sam and Freddie, because there's a thin line between love and hate.

"Please don't marry him." Tracks in the snow. She disappears. He is alone. / Lily and Teddy, turning the tables.

These days, he's rethinking the love thing. / And maybe Blaise was lying to Parvati when he said he didn't believe in love.

Maybe a year wouldn't be so bad... No, no. Harry Potter in Azkaban was unacceptable. / Lily and Teddy inform Harry of their relationship.

Like tears shed for blue-haired boys. / Lily cries for a love lost. Lily/Teddy.

He closes his eyes and lines are crossed everywhere, bridges burned and walls broken. / Lily and Teddy, through the years and numbers that fade away.

Happy endings are overrated, anyway. / The one where Lily cries and Teddy leaves.

It's a lonely world without you. / Parvati and Blaise teach each other about themselves.

"So, what, are we, like, lovers now?" / In which Blaise pouts and Parvati won't stop talking.

Yeah, whatever. It's her catchphrase. / Astoria catches Draco's eye.

it's something like wishful thinking. / Because when she cries it rains. Lily/James.

Because no one regrows eyebrows quite like her. / Sequel to The Girl with the Lion Hair. Seamus/Lavender.

"Oh, hello," she mumbles politely, looking up and smiling at him shyly. And then she bursts into tears. / Dean and Lavender, the ones who were forgotten.

A love that lasts a lifetime squeezed into one summer. She hates how whenever something feels so right to her, it appears wrong to everyone else. / In which Dominique is forgotten. Dom/Scorpius.

It was never her intention. / Lily/Teddy in a heartbeat.

But God, she's gorgeous and fabulous and perfect, but she's not Lily. She's never been Lily, and she never will be Lily. / In which Teddy's nothing but a coward. Victoire/Teddy/Lily.

It seems Maybe and Perhaps are the only sureties she has these days. / Fleur, Charlie, Bill, and a matter of time.

All you have is now. / Charlie and Gabrielle don't need forever.

His face presses into her hair and her lips connect with his. Her hair smells of vanilla and potpourri and possibilities and never-ending strawberry fields. / Neville and Luna and dreams that they need to wake up from.

Across the paper, in Lily's elegant, looping scrawl, were various Mrs. Teddy Lupin and Lily Luna Lupin's, with the occasional LP/TL, framed by a messy heart. / Teddy lies a couple of times.

She laughs and gasps and widens her eyes in shock in all the right places and you hate - love - the feeling that you're falling in love with her like you shouldn't have - but did - a few years ago. / With Lily in his arms, Teddy realizes a few things.

With my luck, the minute I kiss you, someone will come out and find us and pull out their wand and very possibly blow me up. Now, tell me Rosie, can we snog if I'm blown into smithereens? Rose and Scorpius and...Ronald?

"It's one of my more lovable qualities." / In which Rose and Scorpius eat breakfast and perform mushy deeds.

But I must admit, Teddy Lupin can be a bit of an idiot. / The one where Lily kisses someone else.

"Not even dragons could stop me," he promises. "I'll fight each and every one ntil I'm by your side again." / Lily and Teddy are made of promises meant to be broken.

Love is love, even for a dragon. / Ten things about Lily Luna Potter. Lily/Teddy.

But now that little girl is seventeen with waist-long hair and slight curves and an impish smile and let me tell you, she's all grown up and definitely not nine anymore, if you catch my drift. / Teddy is utterly screwed. Lily/Teddy.

I know that goodbye means nothing at all. / The tale of Scorpius Malfoy and Rosie Weasley. For Kimani, aka paperdisasters.

There's this odd feeling in the pit of his stomach. What could it possibly be? Jealousy? Love? Oh, he's probably just hungry or something. / Lily and Teddy before the complications arose. For Ellie, aka silveraurora.

Is this love? He asks in his head. Helping the girl you want to get another guy because you crave her smile? / Lily and Teddy work it out.

"What are you doing? Trying to take advantage of a cripple? You're a sick man!" / In which Rose trips and Scorpius is a typical teenage boy.

"But… you said you were bringing over a boy during the holidays!" "And I'm not considered a boy?" "NO!" / Rose brings Scorpius home for the holidays.

How easy it would be to fall and disappear. / The one where Leah never gets to be happy.

It's who you are, it's who you've always been. / Rachel Berry is the biggest dreamer of them all.

"Sweetie," he murmurs against the shell of her ear, and she feels dirty, "I didn't know you were so gullible." / The night when things went wrong. Ja/B.

Chuck Bass is a drunken fool. / For Blair Waldorf, that is.

"Will you be there? Every step of the way?" / Sequel to They Long To Be. Rose and Scorpius's date is crashed by a couple of unlikely visitors.

He ends up in Tuscany, of all places. / Chuck tries to leave, but Blair is in everywhere he goes.

Malfoy only leaves me with a few minutes of peace before swaggering over to my table, that annoying smirk on his face and his dirty-blonde hair in such perfect disarray that it could have only been on purpose. / Scorpius and Rose trick each other.

He could never answer these questions with her sober. / Casey gets drunk and Derek pretends he doesn't think she's pretty.

JONAS! Joe just doesn't get the concept of Twilight. / Joe and Stella and something more.

But no one ever asked you, "Hey, Sam, you wanna risk your life to save the world and everyone who lives in it?" or some kind of question like that. / Sam dwells.

And it's then that you realize just how alike you are. Heart-breakers, never the heartbroken; the ones who always get the second chance no matter how much you don't deserve it. / Shane and Tess will never get it right.

It's a fact—things that are steady, people that are stable, the very foundations that you rely on, will always be taken for granted until they are lost. / Mitchie and Shane get happily-ever-after and Caitlyn gets nothing.

He feels like he is leaving a trail of fire, his fingers marking their territory with damage. Even though she is the one who feels so cold, colder than the New York sky, he is the one who shivers. / Chuck and Blair and the back of a limo.

Sometimes she misses them. But then she forgets. / 10 things you didn't know about Casey McDonald.

She despised him and his constant need to shy away from what she means and simply look at what she says, because right now, the difference is palpable. / Chad and Sonny, dancing around the obvious.

It's pouring rain outside and it paints a drumbeat in the background, steady and melancholy. Perfect for such a goodbye kind of mood. / Because we know that nothing lasts. Shane/Mitchie.

I miss you. / Nate and Mitchie are both a little screwed up. But at least they can be screwed up together.

"Jakey, tell me how you met my mother." "Well, it's a long story..." Nessie's gonna wish she never asked. / Don't read if you don't have a sense of humor.

Michael Youngblood stared out the window longingly. His very world was on fire. / The beginning.

Teddy Lupin, the Hogwarts Heartthrob, is looking for the right girl. What happens when the one he falls for is the only one he can't have? / Another one of those things that I wrote when I was eleven.

Edmund's nightmare comes true. / Again, something I wrote when I was, like, eleven.

Lilly and Oliver need to work out a few prom details. Like the fact that Lilly's going with another guy. / Something I wrote when I was like, eleven.