Author has written 23 stories for Harry Potter, Chronicles of Narnia, Divergent Trilogy, Hunger Games, Naruto, and Mortal Instruments.
Seorang Hermione Granger-centric, Haruno Sakura-centric, dan Uchiha Sarada-centric. Semi-fujoshi. MultiSaku shipper.
Ultimate OTPs: DraMione (Draco dan Hermione), SasuSaku (Sasuke dan Sakura), InoSara (Inojin dan Sarada).
Sangat senang dengan crackships apalagi kalau karakter utamanya adalah Hermione Granger, Haruno Sakura, atau Uchiha Sarada.
Biasa nangkring di fandom Naruto dan Vocaloid. Lebih sering di fandom English.
Mulai menulis sejak 2011 dan sampai sekarang tulisan belum juga membaik (Haha!)
Kalau mau kenal saya bisa dihubungi di:
Saya punya akun lain khusus untuk cerita Sakura-centric dan Sarada-centric.
This is in defence of crackships:
Invent your own mythology or be slave to another man's. - W. Blake
I write on behalf of my colleagues in contumacy, my brothers and sisters in arms, the producers (and protectors) of the cause; the writers of crack. Here is our manifesto.
We refuse to be straight-jacketed by the frivolous constraints of “reason” and “sense”. Logic has no place in our stories or in our heads. We are iconoclasts: we determinedly avoid pairings that are conventional, commonplace or trite. We exult in the new and the bizarre, the eccentric, the grotesque and, yes we admit it, the perverse.
We rejoice when we search for a pairing and there are no results: we take the Road Less Travelled and often the Road Nonexistent and we forge new paths into the wilderness of the improbable and the absurd. (No plotline is too farfetched, no scenario too forced, no back-story too implausible for us, trailblazers in irrationality.)
We are the pioneers: we take the cracky first step. We open the door. Come back tomorrow, there will be twenty more.
We are also the cursed. We are plagued with reviews like “does she even know he exists?” and “they haven’t met” and “but he died” and “DISGUSTING,” and the worst part is they are usually right. We admit that the truth hurts. (But occasionally we get some love and when we do we know that one more innocent has succumbed and so we type on.)
We will have paired every single female with every single male before this day is through, and just when you think it can’t get any worse we will pair every male with every male and every female with every female and we will make love triangles and then we will make love quadrangles and love parallelograms and love hexagons. (Then we will toss in a few inanimate objects and house pets to keep things fresh.)
No character is safe. We revive the dead. We straighten the gays and bend the straights, age the young and rejuvenate the aged, turn males into females and females into males. We control time and we control physics and we studiously disregard temporal coherence and continuity. Chronology is malleable in our hands and canon timelines need not apply. Alternative universes are at our beck and call and we are not afraid to use them.
We challenge you to read us.
We might make you cry.
We might make you like it.
We are the writers of crack.
(We also spontaneously write grandiose declarations in our profiles when we were supposed to be fixing a typo and enjoy the use of pluralis majestatis in all its schizophrenic radiance.)