His own smile [was] mischievous as he leaned his forearms against the windowsill. "You wanna come for a ride? I want to show you something." PG, romance/fluff, post-S2, Mike/Eleven.

In which Mike accidentally lets it slip that smoking cigarettes causes lung cancer, and Eleven does not take it well. Not even a little bit. PG-13, Fluff/family, post-S2, Mike/Eleven.

"There's an 11:30 train out of Union that gets me there just in time for dinner. Don't worry about me, okay? I've got something I gotta work on, and I'll take a book with me or something. I'll keep myself entertained somehow. You just wait for me at South Station 'round 7:30, all right?" PG-13, romance/fluff, post-S2, Mike/Eleven.

How do you tape together your life when the world seems determined to keep breaking it again, and again, and again? It's something that Steve Harrington doesn't have the answer to. And he doesn't think he'll ever figure it out, anyway. But hey. Maybe it'll make a good college essay.

The night of their senior prom was the first time Mike actually got to spend the night with Eleven and wake up with her in the morning, and he was going to enjoy every second of it. PG-13, romance/fluff/humor, post-S2, Mike/Eleven.

Boy meets girl. Boy falls for girl. Boy gets his ass kicked on the very first day of high school. Not necessarily in that order. The High School AU Mileven story absolutely nobody asked for.

Mike took a second to think of how weird everyone was acting, and then looked down, gaze landing straight away on the main headline of what was indeed that day's edition of The New York Times: GORBACHEV, LAST SOVIET LEADER, RESIGNS. "I have to go to El's," he declared, almost in a gasp. PG, romance/angst/family, post-S2, Mike/Eleven.

"I'm not jealous of her," [El] threw back, still glaring, but where a moment ago she'd just seemed angry, now she also looked hurt. "I'm mad at YOU." PG-13, romance/drama/fluff, Mike/Eleven, post-S2.

Over her shoulder he saw the bride and groom dance and laugh together just a few feet away, and the awe hit him all over again, that he could see himself and El being just like that... someday. PG-13, romance/fluff, Mike/Eleven, post-S2.

"I love sugary things," she commented as she took a sip of the strawberry milkshake they were sharing. "Yeah, I'm aware," he retorted with an amused smile before leaning in to steal a kiss. PG-13, romance/fluff, Mike/Eleven, post-S2.

To his thirteen-year-old mind, six months was not soon. No, six months was officially a long time. And every day from today on would be a long time since the last time he saw her. And that... that made it hurt so much more. PG, angst/pining, Mike/Eleven, between S1 & S2.

"Have you ever thought about running away?" he asked. He wasn't looking at her, but instead was facing the lake, looking out into the rain, hands stuffed in the pockets of his jacket. PG, romance/angst, Mike/Eleven, post-S2.

"Why do you love me?" she asked inquisitively, her textbook temporarily forgotten. "What do you love about me?" And for the first time in a long time, Mike was speechless, not because he didn't have an answer, but because he seemed to have far too many.

It had to be on every father's list of worst nightmares, Jim mused as he stood in the doorway of Eleven's room, to come home one day and find his teenage daughter in bed with her boyfriend. PG-13, romance/family, Mike/Eleven, post-S2.

"Oh, honestly, Ted! I love you, but you can be so oblivious!" Ted Wheeler decides to pay closer attention to his son and this girlfriend of his...with comedic results.

"I have to be sad? When someone I know dies?" Mike stops by the cabin after Bob's funeral to bring El some stuff, and a simple question leads to some deep realizations. PG-13, friendship/HC, Mike/Eleven, nearly a week post S2 climax. Rated for mentions of child abuse and descriptions of gory scenes as seen on the show. (Spoilers like whoa!)

"So... that's new." "What is?" "The 'I love yous.'" The Wheelers travel to New York to spend Thanksgiving 1987 with Nancy, and Mike is having trouble going two days without speaking to his girlfriend. Family/romance, post-S2, Mike/Eleven, Wheeler siblings.

And just like that, the library at Hawkins High had become a war room, a strategy session where all the members of the party devised a plan to protect one of their own. Because that's what friends do. Friendship/romance, post-S2, Mike/Eleven, party antics. Direct sequel to What Makes You Different.

"I'm sorry I yelled at you." Mike Wheeler and Chief Hopper have a long-overdue discussion about their favorite person.

"Again. Again. Again." When Eleven experiences a traumatic flashback during her last class of the day, Mike takes it upon himself to save the day using high school psychology. Thank God for Pavlov, right?

There was something about her that tugged at the back of Scott's mind... something he couldn't quite place. "I'm sorry, are you sure we've never met before? You seem familiar, for some reason." Romance/humor, post-S2, Mike/Eleven.

The sequel to Kissing Cousins.

"I wish you could see yourself like I see you," he breathed out almost subconsciously. "Because then... you'd know." Romance/HC/friendship, post-S2, Mike/Eleven. Rated for language.

Mr. Clarke at the Snow Ball.

"You want me to get some sleep and go to school today? Then take me to the cabin. Please," he was all but begging. Fluff/fam, Mike/Eleven Jonathan/Nancy, immediately post S2 climax. (Spoilers!)

Eleven has a surprise for Mike.

She walked right into his arms with practiced ease, and their lips met in the middle without nearly any effort, like kissing was simply the natural thing that should happen whenever they were near each other. Probably because it was. Romance/fluff, Mike/Eleven, post-S2. Hopefully post-series?

"Don't you think you've been spending a little too much time with that... girl?" Spring Break 1986. Mike just wants to take Eleven to the movies, but Karen has... reservations. Mike/Eleven, post-S2. Hopefully post-S3? Spoilers. PG-13 because Steve.

"Like a secret?" "Yeah, but a good one. Like... it means more because it's just between the two of us. It's special." January 1985 brings holiday-break afternoons at the Hoppers'. Mike/Eleven, post-S2. (Spoilers!)

"Listen, I'm not supposed to leave you two alone here. Hopper will have my head if he finds out, so just... behave, okay?" Mike/Eleven, two weeks post S2 climax. (Spoilers ahoy!)

"I swear, if those two aren't married in, say, fifteen years, I will eat my hat." Scenes from an evening at the Wheelers', circa summer 1985. Mike/Eleven, post-S1. Hopefully post-S2...?