Lance gestures vaguely with both hands. "What do you miss most about Earth?" Five conversations.

"Wally, this is the stupidest idea you've ever had," Artemis tells him outright. "Planning a prom? You? You can barely plan picking me up for a date on time."

That was another sudden and intriguing development in Dipper Pines's precious, messy, magnificent, baffling summer, besides finding a mysterious handwritten encyclopedia of the bizarre in a false tree on a cloudy day: he and Mabel were now bona fide criminals specializing in the illegal moonshine trade.

"Do you like me?" Artemis explodes after a taut pause, so fiercely and sharply that Wally actually jumps.

Here's the sitch. It's 2 AM on a Saturday night, and Lydia Martin is looking amazing, as usual, which would be great and all, if not for the fact that she is presently waiting on a sidewalk with Stiles Stilinski for Scott McCall to come pick them up, because said Stiles Stilinski has the alcohol tolerance of a pigeon.

So Artemis Crock is a princess now, apparently. (A Princess Diaries AU; Wally/Artemis.)

Wally could punch him. He could beat his fist against Dick's nose until it all breaks, but it won't bring Artemis back. / "Depths" coda.

The chronicles of an unexpected friendship, spanning six years, all in text messages.

Five times Dick Grayson and Zatanna Zatara broke up and never, ever got back together.

She hears his voice in there, just for a second – just in the instant between not existing and coming home. And that's when she knows, however delirious it may make her feel, that he's still out there. / Post-"Endgame." Wally/Artemis, with some others.

Keystone City's esteemed high school is putting on a production of Romeo and Juliet. Three guesses who nabs the understudy role of the leading man. (Yeah, it's Wallace Rudolph West.)

The only thing Artemis knows how to say in sign language is "I love you." Worst time ever for her to have to use it.

Artemis breaks up with him on Thanksgiving.

Or, thirty kisses scattered between Wally West and Artemis Crock.

Lying is something she used to think she was bad at. Or, five times Artemis doesn't say "I love you." Wally/Artemis.

In which Wally's family invites Artemis over for Thanksgiving dinner – the first "serious" interaction she'll really have with them now that she's dating their son – and she has anxieties about it. Wally/Artemis, requested by redbrunja, for the 12 days of ficmas.

Six strangers with nothing in common, except each other. Before the day was over, they broke the rules, bared their souls, and touched each other in a way they never dreamed possible. A Breakfast Club AU. Canon pairings with dangles of others.

The year is 1941, and superheroes are a fresh and rare breed. Breaking away from their mentors and inhibitions are six teenagers with ambitions and abilities that cannot be placed aside forever. 1940s AU.

Boy rescues girl. Girl tells Boy the truth. Boy quotes a movie. Girl cries, and Boy earns his happy ending. Annie/Abed.

It's a grand collision, with heat and fright and fury, and Wally doesn't know why he ever thought it would be easy. Because the second he sees Tigress, it's like his ribs are being pulled apart.

Artemis has never been good at talking about her feelings, or at hearing other people talk about theirs. But somehow, when both sixteen-year-old Dick Grayson and Robin tell her out of nowhere – on the same day – that they might be in love with her, she eventually knows exactly what to say.

Artemis doesn't go over to Wally's house because she's worried about him. No way. Wally/Artemis, kinda fluffy toward the end, but such is life.

When Bart Allen decides that spending a couple of weeks with Wally and Artemis is the best way to adjust to twenty-first century life, Wally is forced to adjust, too. It's going to take a while.

"So you haven't been sorted yet, then?" Conner asked. Artemis shrugged, fiddling with her robes. "No," she replied. "It's the first on my to-do list, though." Hogwarts AU.

It's been a week since Artemis was kicked off the Team. Wandering through Gotham on a rainy night and contemplating her situation, she runs into the absolute last person she would have expected to see. Wally/Artemis. Birthday present for thecivilunrest.

When Sportsmaster kidnaps and tortures Wally for six hours straight, the speedster pulls through with the hope that Artemis and the Team will come and save him. The Team comes, but Artemis doesn't. Two-shot.

Artemis Crock is dead. She should at least have the human decency to stay that way. Two-shot.

Zatanna wants to cry so loudly and freely that her father can hear her wherever he is. But she can't. Misplaced fic.

Pre-Failsafe: The moments leading up to the exercise are the calm before the storm – innocent, exciting, and new. Wally makes a promise. M'gann is afraid. Robin is ready for anything. Superboy/M'gann, kind of Wally/Artemis.

Wally missed being able to see the sky. Post-apocalyptic AU. Oneshot. Wally/Artemis, Superboy/M'gann, Barry/Iris. Rated for language and character death.

Her father taught her everything she knows. If only she could forget. Artemis-centric with Wally/Artemis toward the end, kind of. T for brief language at the end.

Wally's desperate. He doesn't know what to think about Artemis anymore. The only logical person to turn to for girl advice is Superboy. Two-shot. For Jncera and for Wally/Artemis week 2012.

Ilana can hardly bear to miss Galaluna any longer, and her all-consuming guilt is not helping matters. Lance/Ilana if your shipping goggles are on tightly enough.

Everything goes wrong from the moment he first kisses her. Wally/Artemis.

Black Canary volunteers to give the Team little "therapy" sessions following the events of Failsafe. This is a more in-depth look at the therapy sessions from Disordered.

Wally stumbles upon some great blackmail fodder: Artemis's part-time job at McDonald's. Whether this will cause him pain or profit is entirely up to him. Wally/Artemis.

Post-Failsafe. Artemis blames herself, if you want the truth. Wally remembers that she didn't make a sound. Wally/Artemis.

Hiding together in a half-ruined building in Gotham as a relentless alien invasion rages outside, Wally and Artemis decide to make amends. Dedicated to Jncera.

Artemis would love to get through one day without being trolled by Dick Grayson and his redheaded compadre, Babs Gordon. It would certainly make it a lot harder to be weirded out by his striking resemblance to one of her teammates.

Artemis bets Wally that he can't outdo any of the kisses she's got under her belt. He disagrees. Requested by Cloaks and Daggers.

Artemis falls with all the grace and weightlessness of a body underwater, and she has accepted where she is going – until a voice interrupts her descent, and something changes. A little bit Wally/Artemis.

Joe flees Lillian without a good-bye on his seventeenth birthday, and, nearly three years later, must decide if he has the courage to go back. Unsurprisingly, one of the things that made him leave may be what brings him home again. Joe/Alice.

"I've been doing a lot of thinking," Wally said almost belligerently, "and the thing is, I love you." Wally/Artemis.

Wally West does not, by any stretch of the imagination, miss Artemis Crock. Wally/Artemis. T for language.

Joe called her beautiful. He called her springtime. Twelve moments in the lives of Joe Lamb and Alice Dainard, post-movie and pre-movie and everything in between. T for a minor implication in the final vignette and some other vaguely mature allusions.

"I'm glad I met you, you know." Alice whispered it so quietly that, for a moment, he didn't even think he'd heard anything. But then he felt her head turn against his and she said, "I really am." Post-movie Joe musings, plus a scene of Joe/Alice.

Arnold, being the polite fellow he is, walks Helga home after the April Fool's Day Dance. Based on It's a Wonderful Life, like the big homage in the episode. Arnold/Helga.

By some bizarre fluke, Ariadne finds herself hired by Fischer Enterprises to design Robert Fischer's new house. Eventual Ariadne/Fischer, some Ariadne/Arthur.